Home

Kelly Gallagher (b. 1987)

Birthplace:
Bryn Mawr, Pennsylvania, USA

Born:
January 13, 1987

Biography from TheMovieDB

Kelly Gallagher is an experimental filmmaker and animator interested in the radical possibilities of animation and essayistic filmmaking. Her films and research explore the power of animation in visualizing stories of resistance. Her films have screened internationally at venues including: Alchemy Film and Moving Image Festival, Ann Arbor Film Festival, Experiments in Cinema, London ICA Artists’ Biennial, Traverse City Film Festival, Alternative Film/Video Festival Belgrade, and New York's Anthology Film Archives. She is the recipient of the Helen Hill Award from Indie Grits and the Audience Award from Brazil's Fronteira Film Festival. Kelly resides in Ohio where she’s Assistant Professor of Media Arts at Antioch College. 

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Production

Animation:
2010  The Herstory of the Female Filmmaker
2023  The Blues Society

Art Direction:
2010  The Herstory of the Female Filmmaker
2023  The Blues Society

Cinematography:
2010  The Herstory of the Female Filmmaker
2023  The Blues Society

Co-Producer:
2010  The Herstory of the Female Filmmaker
2020  Extraction
2023  The Blues Society

Director:
2010  The Herstory of the Female Filmmaker
2012  Pennsylvania
2013  Ceallaigh at Kilmainham
2014  Pearl Pistols
2014  Pen Up the Pigs
2015  From Ally To Accomplice
2016  Do You Want to Go for a Drive?
2016  More Dangerous Than a Thousand Rioters
2018  51 seconds on the 4th of july
2018  My Gossip
2020  CINEMA-19
2020  Cinetracts '20
2020  Extraction
2021  In the Future
2021  Pine and Genesee
2022  We Had Each Other
2023  The Blues Society
????  Retracing Our Steps
????  Slower

Editor:
2010  The Herstory of the Female Filmmaker
2012  Pennsylvania
2013  Ceallaigh at Kilmainham
2014  Pearl Pistols
2014  Pen Up the Pigs
2015  From Ally To Accomplice
2016  Do You Want to Go for a Drive?
2016  More Dangerous Than a Thousand Rioters
2018  51 seconds on the 4th of july
2018  My Gossip
2020  CINEMA-19
2020  Cinetracts '20
2020  Extraction
2021  In the Future
2021  Pine and Genesee
2022  We Had Each Other
2023  The Blues Society
????  Retracing Our Steps
????  Slower

Production Design:
2010  The Herstory of the Female Filmmaker
2012  Pennsylvania
2013  Ceallaigh at Kilmainham
2014  Pearl Pistols
2014  Pen Up the Pigs
2015  From Ally To Accomplice
2016  Do You Want to Go for a Drive?
2016  More Dangerous Than a Thousand Rioters
2018  51 seconds on the 4th of july
2018  My Gossip
2020  CINEMA-19
2020  Cinetracts '20
2020  Extraction
2021  In the Future
2021  Pine and Genesee
2022  We Had Each Other
2023  The Blues Society
????  Retracing Our Steps
????  Slower

Thanks:
2010  The Herstory of the Female Filmmaker
2012  Pennsylvania
2013  Ceallaigh at Kilmainham
2014  Pearl Pistols
2014  Pen Up the Pigs
2015  From Ally To Accomplice
2016  Do You Want to Go for a Drive?
2016  More Dangerous Than a Thousand Rioters
2018  51 seconds on the 4th of july
2018  My Gossip
2020  CINEMA-19
2020  Cinetracts '20
2020  Extraction
2021  Ben & Fred, October 2020
2021  In the Future
2021  Pine and Genesee
2022  A Spot for Frog
2022  We Had Each Other
2023  The Blues Society
????  Retracing Our Steps
????  Slower

Writer:
2010  The Herstory of the Female Filmmaker
2012  Pennsylvania
2013  Ceallaigh at Kilmainham
2014  Pearl Pistols
2014  Pen Up the Pigs
2015  From Ally To Accomplice
2016  Do You Want to Go for a Drive?
2016  More Dangerous Than a Thousand Rioters
2018  51 seconds on the 4th of july
2018  My Gossip
2020  CINEMA-19
2020  Cinetracts '20
2020  Extraction
2021  Ben & Fred, October 2020
2021  In the Future
2021  Pine and Genesee
2022  A Spot for Frog
2022  We Had Each Other
2023  The Blues Society
????  Retracing Our Steps
????  Slower

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.