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Ouida Bergère (1886-1974)

Alias:
Eula Branch
Eunie Branch
Ida Berger
Ida Bergère

Birthplace:
Madrid, Spain

Born:
December 15, 1886

Died:
November 29, 1974

Additional information:

The Search Form


Film Production

Scenario Writer:
1917  Kick In
1919  A Society Exile

Screenplay:
1915  At Bay
1917  Kick In
1918  More Trouble
1918  The Hillcrest Mystery
1919  A Society Exile
1919  Common Clay
1919  Our Better Selves
1919  The Broken Melody
1919  The Cry of the Weak
1919  The Profiteers
1919  The Witness for the Defense
1922  Kick In
1922  To Have and to Hold
1923  Six Days

Story:
1915  At Bay
1917  Kick In
1918  More Trouble
1918  The Hillcrest Mystery
1919  A Society Exile
1919  Common Clay
1919  Our Better Selves
1919  The Broken Melody
1919  The Cry of the Weak
1919  The Profiteers
1919  The Witness for the Defense
1922  Kick In
1922  Peacock Alley
1922  To Have and to Hold
1923  Six Days

Writer:
1915  At Bay
1915  Via Wireless
1916  Arms and the Woman
1916  Big Jim Garrity
1917  Kick In
1917  The On-the-Square Girl
1918  A Japanese Nightingale
1918  More Trouble
1918  The Hillcrest Mystery
1918  The Narrow Path
1919  A Society Exile
1919  Common Clay
1919  Counterfeit
1919  Our Better Selves
1919  The Avalanche
1919  The Broken Melody
1919  The Cry of the Weak
1919  The Profiteers
1919  The Witness for the Defense
1920  Idols of Clay
1920  On with the Dance
1920  The Right to Love
1921  Forever
1921  Paying the Piper
1922  Kick In
1922  Peacock Alley
1922  The Man From Home
1922  Three Live Ghosts
1922  To Have and to Hold
1923  Bella Donna
1923  Six Days
1923  The Cheat
1923  The Eternal City
1923  The Rustle of Silk

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.