Francesco Simeoni
A work in constant progress (and occasional regress).
Editor:
2015 Tune in Next Tuesday: The Making of NETWORK
Executive Producer:
2013 Fragments of the House of Usher
2013 Obscure Pleasures: A Portrait of Walerian Borowczyk
2014 Ballad of Imprisonment: Making Blanche
2014 Behind Enemy Lines: Making Gunpoint
2014 Blow Ups: Borowczyk's Works on Paper
2014 Femme Fatales with Gina Gershon and Jennifer Tilly
2014 Film Is Not a Sausage: Borowczyk and the Short Film
2014 From Stereo to Video
2014 Hail Ceasar with Joe Pantoliano
2014 Here's Johnny! With Christopher Meloni
2014 Modern Noir: The Sights & Sounds of 'Bound'
2014 The Concentration Universe: Making Goto, Isle of Love
2014 The Profligate Door: Borowczyk's Sound Sculptures
2015 Tune in Next Tuesday: The Making of NETWORK
2016 Garage Punk Gore
2016 The Shocking Truth!
2017 A Letter to Castro
2017 Ding Dong, You're Dead! The Making of "House"
2017 Home Deadly Home: The Making of "House IV"
2017 It's Getting Weirder! The Making of "House II"
2017 Junichiro Hayashi: Creepy Images
2017 Kiyoshi Kurosawa: Broken Circuits
2017 The Key to 'The Apartment'
2018 Be My Victim
2018 It Was Always You, Helen
2018 Maelstrom: The Odyssey of Waterworld
2019 A Vicious Circle
2019 American Frontiers: Anthony Mann at Universal
2019 Blood, Sand, and Fire: The Making of The Hills Have Eyes Part II
2019 Circumnavigating Ring
2019 Mark of The Beast: The Legacy of the Universal Werewolf
2019 The House Is Alive: Constructing 'Crimson Peak'
2019 The Ring Legacy
2019 Wares of the Wolf
2020 Hollywood of the North
2020 No Turning Back: Scoring Silent Running
2021 It's a Madcap World: The Making of an Unfinished Film
2021 Shop Til' You Drop!: The Making of Phantom of the Mall
2021 Two Men Alone
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023 The Water is Finally Blue: The Untold Story of Robert Altman's O.C. and Stiggs
2024 The Last Day
Producer:
2013 Fragments of the House of Usher
2013 Obscure Pleasures: A Portrait of Walerian Borowczyk
2014 Ballad of Imprisonment: Making Blanche
2014 Behind Enemy Lines: Making Gunpoint
2014 Blow Ups: Borowczyk's Works on Paper
2014 Femme Fatales with Gina Gershon and Jennifer Tilly
2014 Film Is Not a Sausage: Borowczyk and the Short Film
2014 From Stereo to Video
2014 Hail Ceasar with Joe Pantoliano
2014 Here's Johnny! With Christopher Meloni
2014 Modern Noir: The Sights & Sounds of 'Bound'
2014 The Concentration Universe: Making Goto, Isle of Love
2014 The Profligate Door: Borowczyk's Sound Sculptures
2015 Tune in Next Tuesday: The Making of NETWORK
2016 Garage Punk Gore
2016 The Shocking Truth!
2017 A Letter to Castro
2017 Ding Dong, You're Dead! The Making of "House"
2017 Home Deadly Home: The Making of "House IV"
2017 It's Getting Weirder! The Making of "House II"
2017 Junichiro Hayashi: Creepy Images
2017 Kiyoshi Kurosawa: Broken Circuits
2017 The Key to 'The Apartment'
2017 The Killing Floor
2018 Be My Victim
2018 It Was Always You, Helen
2018 Maelstrom: The Odyssey of Waterworld
2018 Talking with the Vampires
2019 A Vicious Circle
2019 American Frontiers: Anthony Mann at Universal
2019 Blood, Sand, and Fire: The Making of The Hills Have Eyes Part II
2019 Circumnavigating Ring
2019 Mark of The Beast: The Legacy of the Universal Werewolf
2019 The House Is Alive: Constructing 'Crimson Peak'
2019 The Ring Legacy
2019 Wares of the Wolf
2020 Hollywood of the North
2020 No Turning Back: Scoring Silent Running
2021 It's a Madcap World: The Making of an Unfinished Film
2021 Shop Til' You Drop!: The Making of Phantom of the Mall
2021 Two Men Alone
2022 Upside Down, Inside Out: An Appreciation of the Films of Quentin Dupieux by Elena Lazic
2023 The Water is Finally Blue: The Untold Story of Robert Altman's O.C. and Stiggs
2024 The Last Day
???? Through the Keyhole: An Interview with Sergio Martino
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.