Liviu Pojoni Jr.

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Alias:
Liviu Pojoni

Additional information:

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"A" Camera Operator:
2024  The Strangers: Chapter 1

"C" Camera Operator:
2020  Jiu Jitsu
2024  The Strangers: Chapter 1

Camera Operator:
2006  Mammoth
2009  Against the Dark
2011  The Bear
2013  Dead in Tombstone
2013  Fright Night 2: New Blood
2014  A Good Man
2014  Another Love Building
2014  Walking with the Enemy
2015  Absolution
2015  Dragonheart 3: The Sorcerer's Curse
2016  Contract to Kill
2017  Cartels
2018  Moromete Family: On the Edge of Time
2020  Jiu Jitsu
2024  The Strangers: Chapter 1

Cinematography:
2006  Mammoth
2009  Against the Dark
2011  The Bear
2013  Dead in Tombstone
2013  Fright Night 2: New Blood
2014  A Good Man
2014  Another Love Building
2014  Kazimir
2014  Walking with the Enemy
2015  Absolution
2015  Dragonheart 3: The Sorcerer's Curse
2016  Contract to Kill
2017  Cartels
2017  The Anniversary
2018  Moromete Family: On the Edge of Time
2019  The Hard Way
2020  Jiu Jitsu
2024  The Strangers: Chapter 1
????  Stone memory

Director of Photography:
2006  Mammoth
2009  Against the Dark
2011  The Bear
2013  Dead in Tombstone
2013  Fright Night 2: New Blood
2014  A Good Man
2014  Another Love Building
2014  Kazimir
2014  Walking with the Enemy
2015  Absolution
2015  Bucharest Non-Stop
2015  Dragonheart 3: The Sorcerer's Curse
2016  Contract to Kill
2017  Cartels
2017  The Anniversary
2018  Moromete Family: On the Edge of Time
2019  The Hard Way
2020  Jiu Jitsu
2024  The Strangers: Chapter 1
????  Document 56
????  Stone memory

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.