A work in constant progress (and occasional regress).
Birthplace:
New York City, New York, USA
Born:
January 24, 1940
Died:
April 27, 2017
Vito Hannibal Acconci is an American designer, landscape architect, performance and installation artist.
Cinematography:
1971 Centers
Director:
1970 Applications
1970 Break-Through
1970 Concentration/Contemplation Piece
1970 Corrections
1970 Filling Up Space
1970 Lick
1970 Open-Close
1970 Openings
1970 Rubbings
1970 Run Off
1970 See Through
1970 Seeing Red
1970 Three Adaptation Studies
1970 Three Frame Studies
1970 Three Relationship Studies
1970 Two Cover Studies
1971 Association Area
1971 Breath In (To) / Out (Of)
1971 Centers
1971 Claim Excerpts
1971 Contacts
1971 Conversions 1
1971 Conversions 2
1971 Conversions 3
1971 Directions
1971 Pryings
1971 Remote Control
1971 Training Ground
1971 Two Track
1971 Watch
1971 Waterways (Burst; Storage)
1972 Anchors
1972 Cross-Fronts
1972 Face to Face
1972 Go Between
1972 Hand to Hand
1972 Seedbed
1972 Undertone
1973 Air Time
1973 Command Performance
1973 Face-Off
1973 Reception Room
1973 Recording Studio From Air Time
1973 Theme Song
1973 Visions of a Disappearance
1973 Walk-Over
1974 Face of the Earth
1974 Full Circle
1974 My Word
1974 Open Book
1974 Shoot
1974 Turn-On
1977 The Red Tapes
???? Clouds
Sound Recordist:
1970 Applications
1970 Break-Through
1970 Concentration/Contemplation Piece
1970 Corrections
1970 Filling Up Space
1970 Lick
1970 Open-Close
1970 Openings
1970 Rubbings
1970 Run Off
1970 See Through
1970 Seeing Red
1970 Three Adaptation Studies
1970 Three Frame Studies
1970 Three Relationship Studies
1970 Two Cover Studies
1971 Association Area
1971 Breath In (To) / Out (Of)
1971 Centers
1971 Claim Excerpts
1971 Contacts
1971 Conversions 1
1971 Conversions 2
1971 Conversions 3
1971 Directions
1971 Pryings
1971 Remote Control
1971 Training Ground
1971 Two Track
1971 Watch
1971 Waterways (Burst; Storage)
1972 Anchors
1972 Cross-Fronts
1972 Face to Face
1972 Go Between
1972 Hand to Hand
1972 Seedbed
1972 Undertone
1973 Air Time
1973 Command Performance
1973 Face-Off
1973 Reception Room
1973 Recording Studio From Air Time
1973 Theme Song
1973 Visions of a Disappearance
1973 Walk-Over
1974 Face of the Earth
1974 Full Circle
1974 My Word
1974 Open Book
1974 Shoot
1974 Turn-On
1977 The Red Tapes
???? Clouds
Writer:
1970 Applications
1970 Break-Through
1970 Concentration/Contemplation Piece
1970 Corrections
1970 Filling Up Space
1970 Lick
1970 Open-Close
1970 Openings
1970 Rubbings
1970 Run Off
1970 See Through
1970 Seeing Red
1970 Three Adaptation Studies
1970 Three Frame Studies
1970 Three Relationship Studies
1970 Two Cover Studies
1971 Association Area
1971 Breath In (To) / Out (Of)
1971 Centers
1971 Claim Excerpts
1971 Contacts
1971 Conversions 1
1971 Conversions 2
1971 Conversions 3
1971 Directions
1971 Pryings
1971 Remote Control
1971 Training Ground
1971 Two Track
1971 Watch
1971 Waterways (Burst; Storage)
1972 Anchors
1972 Cross-Fronts
1972 Face to Face
1972 Go Between
1972 Hand to Hand
1972 Seedbed
1972 Undertone
1973 Air Time
1973 Command Performance
1973 Face-Off
1973 Reception Room
1973 Recording Studio From Air Time
1973 Theme Song
1973 Visions of a Disappearance
1973 Walk-Over
1974 Face of the Earth
1974 Full Circle
1974 My Word
1974 Open Book
1974 Shoot
1974 Turn-On
1977 The Red Tapes
2007 Seven Easy Pieces
???? Clouds
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.