Garret Farrell

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ADR Editor:
2019  Rosie

ADR Mixer:
2018  Maze Runner: The Death Cure
2019  Rosie

ADR Recordist:
2018  Maze Runner: The Death Cure
2019  Rosie
2019  The Hole in the Ground

Dialogue Editor:
2018  Maze Runner: The Death Cure
2019  Rosie
2019  The Hole in the Ground
2023  Evil Dead Rise

Recording Supervision:
2014  Song of the Sea
2018  Maze Runner: The Death Cure
2019  Rosie
2019  The Hole in the Ground
2021  Hunted
2023  Evil Dead Rise

Sound Designer:
2014  Song of the Sea
2018  Maze Runner: The Death Cure
2019  Rosie
2019  The Hole in the Ground
2021  French Exit
2021  Hunted
2023  Evil Dead Rise

Sound Mixer:
2010  The Crush
2014  Song of the Sea
2018  Maze Runner: The Death Cure
2019  Rosie
2019  The Hole in the Ground
2021  French Exit
2021  Hunted
2023  Evil Dead Rise

Sound Re-Recording Mixer:
2009  Legend of the Bog
2010  Essential Killing
2010  The Crush
2011  Sensation
2012  Loving Miss Hatto
2013  Heart of a Lion
2013  Tasting Menu
2013  The Last Days on Mars
2014  Song of the Sea
2015  The Hallow
2017  Tomato Red
2018  Maze Runner: The Death Cure
2019  Dirty God
2019  Rosie
2019  Shooting the Mafia
2019  The Hole in the Ground
2021  French Exit
2021  Hunted
2023  Evil Dead Rise

Supervising Sound Editor:
2009  Legend of the Bog
2010  Essential Killing
2010  The Crush
2011  Sensation
2012  Loving Miss Hatto
2013  Heart of a Lion
2013  Tasting Menu
2013  The Last Days on Mars
2014  Song of the Sea
2015  The Hallow
2017  Tomato Red
2018  Maze Runner: The Death Cure
2019  Dirty God
2019  Rosie
2019  Shooting the Mafia
2019  The Hole in the Ground
2021  French Exit
2021  Hunted
2023  Evil Dead Rise

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.