A work in constant progress (and occasional regress).
Marcel Broodthaers 1924-1976 Belgian poet, photographer, film-maker and artist. Born in Brussels. Began as a poet and aged 16-17 had some contacts with the Belgian Surrealists, especially Magritte, who gave him a copy of Mallarmé's Un Coup de Dés. (Magritte's paintings with words, in which there is a contradiction between the painted word and the painted object, were later a crucial influence on him). Started in 1958 to publish articles illustrated with his own photographs. At the end of 1963 decided to become an artist and began to make objects. First one-man exhibition at the Galerie St Laurent, Brussels, 1964. Exhibited everyday objects, words, lettering, child-like drawings etc., often with verbal-visual puns; made books, catalogues, prints on everything from canvasesattached to the wall to reliefs in plastic. Made his first film in 1957 and from 1967 a number of short films.
Director:
1958 La Clef de L'horloge (Poème cinémathographique en l’honneur de Kurt Schwitters)
1968 3 Postcards
1968 Le corbeau et le renard
1969 La Pluie (Projet Pour Un Texte)
1969 Pipe Satire
1970 A Film by Charles Baudelaire (Second Version)
1970 Ceci Ne Serait Pas Une Pipe
1970 La Lune
1970 La signature
1971 Au-delà de cette limite
1971 Exercice
1972 Mauretania
1972 Speakers Corner
1974 A Voyage on the North Sea
1974 Figure Of Wax
1974 Monsieur Teste
1974 The Last Voyage
1989 Berlin Oder Ein Traum Mit Sahne
???? O-X
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.