Dirk de Bruyn

Dirk de Bruyn is Associate Professor of Screen and Design at Deakin University, Melbourne, Australia where he teaches Animation and Documentary Animation modules. He has made numerous animations, performance and installation work over the last 40 years. His book "The Performance of Trauma in Moving Image Art" was published in 2014. His recent animations such as "Re-Vue" (2017), "Chanting" (2018), "Recover" (2017) and "Living in the Past" (2018) have been screened internationally. Retrospective programs of his animations have been presented at Melbourne International Animation Festival (2016), Alternativa, Serbia, Punto Y Raya, Karlsruhe Germany (2016) and Cineinfinito in Spain (2019, 2020).

Additional information:

The Search Form


Director:
1976  Running
1976  Zoomfilm
1979  Feyers
1980  Walk
1982  Experiments
1984  Discs
1984  Light Play
1984  Migraine Particles
1985  223
1985  Boerdery
1985  Vision
1986  Frames
1987  Homecomings
1990  Conversations with my Mother
1990  Knots
1992  Understanding Science
1994  Rote Movie
1998  Schist
2002  Traum A Dream
2004  Analog Stress
2004  H2
2005  2nd Hand Cinema
2007  RemmbrMe
2012  Click If You Like This
2012  Wap
2014  Empire
2014  Found Found Found
2014  The Death of Place
2015  East Meets West
2016  Dissociation
2016  Living in the Past
2017  Recover
2018  Chant En Couleur
2018  Re-Vue
2019  Chanting
2019  Pattern Recognition
2020  Death of Place (annotated)
2021  White Bat
2023  Schists 2023

Sound Mixer:
1976  Running
1976  Zoomfilm
1979  Feyers
1980  Walk
1982  Experiments
1984  Discs
1984  Light Play
1984  Migraine Particles
1985  223
1985  Boerdery
1985  Vision
1986  Frames
1987  Homecomings
1990  Conversations with my Mother
1990  Knots
1992  Understanding Science
1994  Rote Movie
1997  My Blessings
1998  Schist
2002  Traum A Dream
2004  Analog Stress
2004  H2
2005  2nd Hand Cinema
2007  RemmbrMe
2012  Click If You Like This
2012  Wap
2014  Empire
2014  Found Found Found
2014  The Death of Place
2015  East Meets West
2016  Dissociation
2016  Living in the Past
2017  Recover
2018  Chant En Couleur
2018  Re-Vue
2019  Chanting
2019  Pattern Recognition
2020  Death of Place (annotated)
2021  White Bat
2023  Schists 2023

Title Designer:
1976  Running
1976  Zoomfilm
1979  Feyers
1980  Walk
1982  Experiments
1984  Discs
1984  Light Play
1984  Migraine Particles
1985  223
1985  Boerdery
1985  Vision
1986  Frames
1987  Homecomings
1989  Between Us
1990  Conversations with my Mother
1990  Knots
1992  Understanding Science
1994  Rote Movie
1997  My Blessings
1998  Schist
2002  Traum A Dream
2004  Analog Stress
2004  H2
2005  2nd Hand Cinema
2007  RemmbrMe
2012  Click If You Like This
2012  Wap
2014  Empire
2014  Found Found Found
2014  The Death of Place
2015  East Meets West
2016  Dissociation
2016  Living in the Past
2017  Recover
2018  Chant En Couleur
2018  Re-Vue
2019  Chanting
2019  Pattern Recognition
2020  Death of Place (annotated)
2021  White Bat
2023  Schists 2023

About the Movie Section

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Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.