A work in constant progress (and occasional regress).
Birthplace:
Florence, italy
Born:
January 1, 1971
Massimo Cantini Parrini was born in 1971 in Florence, Tuscany, Italy. He is a costume designer, known for Tale of Tales (2015), Dogman (2018) and Ferrari (2023). He received Oscar nominations for Best Costume Design for his works on Pinnochio (2021) and Cyrano (2022).
Assistant Costume Designer:
2003 The Soul Keeper
2005 Charlie and the Chocolate Factory
Costume Design:
2003 The Soul Keeper
2005 Charlie and the Chocolate Factory
2009 Barbarossa
2013 A Liberal Passion
2014 La trattativa
2015 Tale of Tales
2016 Fräulein - A Winter’s Tale
2016 La verità sta in cielo
2017 Black Butterfly
2018 Boys Cry
2018 Dogman
2018 The Invisible Witness
2018 The Leisure Seeker
2018 The Vice of Hope
2019 Dafne
2019 Nevia
2019 Ophelia
2019 Parents in Progress
2020 Bad Tales
2020 Natale in casa Cupiello
2020 Romantic Guide to Lost Places
2021 Cyrano
2021 The Guest Room
2022 America Latina
2022 Chiara
2022 L'immensità
2023 Ferrari
2023 Mi fanno male i capelli
2023 The Commander
Costume Designer:
2003 The Soul Keeper
2005 Charlie and the Chocolate Factory
2009 Barbarossa
2013 A Liberal Passion
2014 La trattativa
2015 Tale of Tales
2016 Fräulein - A Winter’s Tale
2016 La verità sta in cielo
2017 Black Butterfly
2018 Boys Cry
2018 Dogman
2018 The Invisible Witness
2018 The Leisure Seeker
2018 The Vice of Hope
2019 Dafne
2019 La notte è piccola per noi
2019 Nevia
2019 Ophelia
2019 Ordinary Happiness
2019 Parents in Progress
2019 Pinocchio
2020 Bad Tales
2020 Miss Marx
2020 Natale in casa Cupiello
2020 Romantic Guide to Lost Places
2020 The Ties
2021 Cyrano
2021 Non ti pago
2021 Sabato, domenica e lunedì
2021 The Guest Room
2022 America Latina
2022 Chiara
2022 L'immensità
2023 Ferrari
2023 Mi fanno male i capelli
2023 The Commander
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Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.