Natto Wada (1920-1983)

Gallery Unavailable

Alias:
Wada Natto

Birthplace:
Himeji, Hyōgo Prefecture, Japan

Born:
September 13, 1920

Died:
February 18, 1983

Natto Wada (和田 夏十, Wada Natto, 13 September 1920 – 18 February 1983), also known as Natsuto Wada, was a Japanese script writer and film columnist.  Wada graduated with an English degree from Tokyo Women's College in 1946. She started her career at the Fujimoto Cinema Production company, where she met her husband, Kon Ichikawa, a filmmaker who promoted her script work to colleagues and collaborated with her on several films. She began writing, or co-writing, scripts in 1951, and continued until 1965. Wada's scripts included the 1953 film Puu-san, a satirical comedy based on the manga of Yokoyama Taizo; the 1956 film Shokei no Heya, based on a novel by Ishihara Shintaro. That year, Wada also wrote Nihonbashi, based on a novel by Izumi Kyoka, which documented the rivalry of two geisha in a male-dominated culture. Kuroi Junin no Onna (Ten Dark Women) was a 1961 film that satirized an egotistical male's reliance on his wife to stay out of trouble. Also that year, Wada wrote Hakai (The Broken Commandment) a film adaptation of Shimazaki Toson's eponymous 1906 novel, which examined the life of a social outcast. Wada's adaptation was notable for strengthening the role of the female protagonist. Other film scripts by Wada or with collaborators include Biruma no Tategoto (Harp of Burma, 1956), based on the eponymous 1946 novel by Takayama Michio; Enjō (Conflagration, 1959) based on Mishima Yukio's 1956 novel, The Temple of the Golden Pavilion. Wada was also known for her work as an advice columnist during the 1960s. Her column, "Personal Life Consultation," ran in the Asahi Shimbun.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.