Jüri Sillart (1943-2011)

Birthplace:
Tallinn, Estonian SSR, USSR [now Estonia]

Born:
May 29, 1943

Died:
September 10, 2011

Jüri Sillart (May 29, 1943 Tallinn – September 10, 2011) was an Estonian film operator, director, producer and pedagogue.  In 1970 he graduated from Gerasimov Institute of Cinematography. From 1971 to 1994 he worked as an operator-director in Tallinnfilm. Since 1993 he is a producer and director in studio OÜ Kairiin (which he established itself).

Additional information:

The Search Form


Assistant Camera:
1968  Katused ja korstnad

Director:
1968  Katused ja korstnad
1990  Awakening
1992  The Sunny Kids
1996  Grisha
2002  Leida lugu
2006  Golden Beach

Director of Photography:
1968  Katused ja korstnad
1973  Tuli öös
1976  Diamonds for the Dictatorship of the Proletariat
1977  Ask the Dead About the Price of Death
1977  Time to Live, Time to Love
1979  Dead Mountaineer's Hotel
1980  Wild Violets
1981  The Smacking Sea
1983  The Adventurer
1984  Requiem
1985  The Gang
1986  In One Hundred Years in May
1989  Stolen Meeting
1990  Awakening
1992  The Sunny Kids
1996  Grisha
2002  Leida lugu
2006  Golden Beach

Producer:
1968  Katused ja korstnad
1973  Tuli öös
1976  Diamonds for the Dictatorship of the Proletariat
1977  Ask the Dead About the Price of Death
1977  Time to Live, Time to Love
1979  Dead Mountaineer's Hotel
1980  Wild Violets
1981  The Smacking Sea
1983  The Adventurer
1984  Requiem
1985  The Gang
1986  In One Hundred Years in May
1989  Stolen Meeting
1990  Awakening
1992  The Sunny Kids
1996  Grisha
2002  Leida lugu
2006  Golden Beach

Writer:
1968  Katused ja korstnad
1973  Tuli öös
1976  Diamonds for the Dictatorship of the Proletariat
1977  Ask the Dead About the Price of Death
1977  Time to Live, Time to Love
1979  Dead Mountaineer's Hotel
1980  Wild Violets
1981  The Smacking Sea
1983  The Adventurer
1984  Requiem
1985  The Gang
1986  In One Hundred Years in May
1989  Stolen Meeting
1990  Awakening
1992  The Sunny Kids
1996  Grisha
2002  Leida lugu
2006  Golden Beach

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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