Guy Sherwin

Born in 1948, Guy Sherwin studied painting at Chelsea School of Art in London. Inspired by films and expanded cinema from the London Filmmakers’ Co-op, he began making films and acquired laboratory skills while working there during the 1970s. His 16mm films are often highly concentrated in their form, but very diverse in terms of their imagery and approach. The Short Film Series (1975-ongoing) and live performance pieces such as Man with Mirror (1976-ongoing) involve human, animal and natural phenomena transcribed as filmic subjects, while his optical sound films and performances explore a wide variety of abstract audiovisual ideas.

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Director:
1971  Phase Loop
1972  Cycles #1
1972  Newsprint #1
1972  Sound Shapes
1974  At the Academy
1974  Interval
1974  Spirals
1975  Portrait with Parents
1976  Hand/Shutter
1976  Handcrank Clock
1976  Man with Mirror
1976  Track
1976  Treeline
1976  Vermeer Frames
1976  Window
1977  Blink
1977  Candle & Clock
1977  Cat on TV
1977  Chimney
1977  Columns
1977  Musical Stairs
1977  Railings
1977  Soundtrack
1977  Swimming
1978  Barn
1978  Breathing
1978  Clock & Train
1978  Cycle
1978  Eye
1978  Light Leaves
1978  Maya
1978  Metronome
1978  Tap
1979  Night Train
1979  Notes
1979  Notes #1
1980  Connemara
1980  Wind & Water
1984  Messages
1986  Salt Water
1991  Mile End Purgatorio
1995  Under the Freeway
1996  Prelude
1998  Animal Studies
1998  Cat
1998  Clouds & Wires
1998  Coots
1998  Filter Beds
1998  Flight
1998  Gnats
1998  Tree & Cloud
1998  Tree Reflection
2000  Da Capo: Variations on a Train with Anna
2003  Cycles #3
2003  Newsprint #2
2005  Views from Home
2005  Vowels & Consonants
2006  Bay Bridge from Embarcadero
2007  Cross Section #2
2007  Interval #2
2007  Mobius Loops
2007  Notes #2
2007  Optical Sound
2007  Sound Cuts
2009  Paper Landscape
2010  Mei
2011  Yi Wei
2013  Guy & Kai
2013  Piano
2013  Window/Light
2014  Short Film Series
2016  Light Cycles
2017  Nijomasue
2017  Paper Landscape #2
2019  Why there is something rather than nothing

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.