A work in constant progress (and occasional regress).
Birthplace:
New York, New York
Andrea Chung is a Korean-American producer, co-founder of Bowery Hills Entertainment, Al-Ghanim Entertainment, and talent management company Lavin Entertainment. Chung is also a film executive for the movie adaptation of the multi-billion dollar game franchise "Crossfire" for Korean giant Smilegate. Her notable credits include Benson Lee's "Seoul Searching," Duane Adler's "Heartbeats" and Victor Garcia's "The Damned." "Seoul Searching" was a New York Times Critics Pick in Summer 2016, won the Youth Jury Award at SIFF and was in the "Premieres" category at the Sundance Film Festival. Her films "The Girl in the Photographs" which she produced with Wes Craven and "Passion Play" had world premieres at TIFF. Chung began her track as a producer as an intern for Lynda Obst, then at Paramount Studios, after reading her book "Hello, He Lied" in her class at NYU. Chung also creates and directs docu-pilots for studios including "Fabulously Richie" which starred fashion designer Richie Rich, Pamela Anderson, Lydia Hearst and Aubrey O'Day and "The Onch Project" for Lionsgate Television. The first pilot she ever directed was based on a co-worker while an assistant at ICM called "The Last Mousketeer" which E! bought and produced into a 1-hour special for "Child Star Confidential."
Casting:
2015 Seoul Searching
Co-Producer:
2011 Passion Play
2015 Seoul Searching
Executive Producer:
2011 Passion Play
2015 Seoul Searching
2020 The Comeback Trail
2024 Oh, Canada
2024 Snow Valley
Producer:
2011 Passion Play
2014 The Damned
2015 Seoul Searching
2015 The Girl in the Photographs
2016 Crossing Bhutan
2017 Heartbeats
2020 The Comeback Trail
2021 Women Is Losers
2024 Oh, Canada
2024 Snow Valley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.