Andrea Chung

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Birthplace:
New York, New York

Andrea Chung is a Korean-American producer, co-founder of Bowery Hills Entertainment, Al-Ghanim Entertainment, and talent management company Lavin Entertainment. Chung is also a film executive for the movie adaptation of the multi-billion dollar game franchise "Crossfire" for Korean giant Smilegate. Her notable credits include Benson Lee's "Seoul Searching," Duane Adler's "Heartbeats" and Victor Garcia's "The Damned." "Seoul Searching" was a New York Times Critics Pick in Summer 2016, won the Youth Jury Award at SIFF and was in the "Premieres" category at the Sundance Film Festival. Her films "The Girl in the Photographs" which she produced with Wes Craven and "Passion Play" had world premieres at TIFF. Chung began her track as a producer as an intern for Lynda Obst, then at Paramount Studios, after reading her book "Hello, He Lied" in her class at NYU. Chung also creates and directs docu-pilots for studios including "Fabulously Richie" which starred fashion designer Richie Rich, Pamela Anderson, Lydia Hearst and Aubrey O'Day and "The Onch Project" for Lionsgate Television. The first pilot she ever directed was based on a co-worker while an assistant at ICM called "The Last Mousketeer" which E! bought and produced into a 1-hour special for "Child Star Confidential."

Additional information:

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Casting:
2015  Seoul Searching

Co-Producer:
2011  Passion Play
2015  Seoul Searching

Executive Producer:
2011  Passion Play
2015  Seoul Searching
2020  The Comeback Trail
2024  Oh, Canada
2024  Snow Valley

Producer:
2011  Passion Play
2014  The Damned
2015  Seoul Searching
2015  The Girl in the Photographs
2016  Crossing Bhutan
2017  Heartbeats
2020  The Comeback Trail
2021  Women Is Losers
2024  Oh, Canada
2024  Snow Valley

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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