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Kevin Baillie

Birthplace:
Seattle - Washington - USA

Biography from TheMovieDB

Kevin's VFX career started when he when he joined Lucasfilm's JAK Films as a pre-vis artist on Star Wars: Episode I at age 18. In the two decades following, Kevin has blazed a bright path, helming VFX at The Orphanage on features including Pirates of the Caribbean: At World's End, Night at the Museum, Superman Returns, Harry Potter and the Goblet of Fire and Hellboy; supervising cutting-edge motion capture for features at Image Movers Digital; and co-founding Atomic Fiction in 2010, where the company's outstanding work on The Walk, Allied, and Flight garnered awards and recognition.  Kevin's VFX Supervisor credits also include two Star Trek movies, two Transformers features and, most recently, Welcome to Marwen - another title in his long collaboration with Director Robert Zemeckis. He joined Method with the acquisition of Atomic Fiction by Deluxe.  Kevin is a member of the Academy of Motion Pictures Arts and Sciences and founded cloud rendering technology company, Conductor Technologies.

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Film Performances

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Film Production

CG Supervisor:
2003  Charlie's Angels: Full Throttle
2003  Jeepers Creepers 2
2004  Hellboy

Digital Effects Supervisor:
2003  Charlie's Angels: Full Throttle
2003  Jeepers Creepers 2
2004  Hellboy
2009  A Christmas Carol

Visual Effects Supervisor:
2003  Charlie's Angels: Full Throttle
2003  Jeepers Creepers 2
2004  Hellboy
2009  A Christmas Carol
2012  Flight
2013  Star Trek Into Darkness
2014  Need for Speed
2015  The Walk
2016  Allied
2016  Star Trek Beyond
2018  Welcome to Marwen
2020  Roald Dahl's The Witches
2022  Pinocchio

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.