A work in constant progress (and occasional regress).
Alias:
Такако Ириэ
入江たか子
Birthplace:
Tokyo, Japan
Born:
February 7, 1911
Died:
January 12, 1995
Takako Irie (入江 たか子 Irie Takako, 7 February 1911 – 12 January 1995) was a Japanese film actress. Born in Tokyo into the aristocratic Higashibōjō family (her birth name was Hideko Higashibōjō (東坊城 英子 Higashibōjō Hideko)), she graduated from Bunka Gakuin before debuting as an actress at Nikkatsu in 1927. She became a major star, even starting her own production company, Irie Productions, in 1932. One of Kenji Mizoguchi's silent film masterpieces, The Water Magician, was produced at that company with Irie starring. She appeared in many advertisements, as well as on fans and other commercial goods. Irie was also the subject of a folding screen painting by Nihonga artist Nakamura Daizaburō, which appeared in the 1930 Teiten (Imperial Exhibition), and which is today in the collection of the Honolulu Museum of Art; toy dolls were also produced based on this image. In the postwar period, Irie became known as a "ghost cat actress" (bakeneko joyū) for appearing in a series of kaidan (ghost story) movies. One of her late memorable roles was in Akira Kurosawa's Sanjuro, where she plays Mutsuta's wife, the lady who warns Sanjuro (Toshirō Mifune) that "the best sword stays in its scabbard".
Producer:
1932 The Dawn of Manchuria and Mongolia
1933 The Water Magician
1934 Karisome no kuchibeni
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.