A work in constant progress (and occasional regress).
Birthplace:
Paris, France
Born:
May 3, 1901
Died:
February 1, 1979
Philippe Parès (1 January 1901 – 2 February 1979) was a 20th-century French composer of film scores, d'operettas and light music. The son of Gabriel Parès, music conductor of the Republican Guard, Philippe Parès met Georges Van Parys in the beginning of the 20s. Georges Van Parys, one year younger, commenced from 1925 to compose little pieces (one-act operettas or musical sketches) and songs. In 1927, they collaborated for the first time on La Petite dame du train bleu, which was created in Lyon. The same year, Lulu was presented in Paris, at the Théâtre Daunou. They worked together until 1931. In particular, they wrote the music for the film The Million by René Clair, in collaboration with Armand Bernard. Philippe Parès then made a career as a producer of records and music publisher (ambience and film music, education, works for children ...). He produced, particularly around 1928-1929, several important scores of the late silent film era: La Femme et le Pantin by Jacques de Baroncelli and The Passion of Joan of Arc by Carl Dreyer (music by Victor Alix and Léo Pouget), among others. Source: Article "Philippe Parès" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Music:
1929 Paris' Girls
1929 The Road Is Fine
1931 Dragnet Night
1931 The Lovers of Midnight
1933 I'm a Girl with a Devil in the Flesh
Original Music Composer:
1929 Paris' Girls
1929 The Road Is Fine
1929 The Woman and the Puppet
1931 Dragnet Night
1931 I'll Be Alone After Midnight
1931 Le Million
1931 The Lovers of Midnight
1932 The Wedding of Miss Beulemans
1933 I'm a Girl with a Devil in the Flesh
Sound:
1929 Paris' Girls
1929 The Road Is Fine
1929 The Woman and the Puppet
1931 Black and White
1931 Dragnet Night
1931 I'll Be Alone After Midnight
1931 Le Million
1931 The Lovers of Midnight
1932 The Wedding of Miss Beulemans
1933 I'm a Girl with a Devil in the Flesh
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.