Péter Lichter

Péter Lichter is a hungarian experimental filmmaker and writer. He studied film history and film theory at the ELTE University, Budapest. Péter makes found footage films and experimental features since 2002. His films were screened at festivals and venues like: Berlin Critics' Week; Rotterdam IFF; Tribeca Film Festival - New York; Jihlava IDFF; Tallinn Black Nights Film Festival; Torino Film Festival; goEast - Wiesbaden; Cottbus Film Festival; EXiS - Seoul; CROSSROADS - San Francisco; VideoEX - Zurich; Festival of (In)appropriation - Los Angeles; Antimatter - Victoria, Canada; and La Cinémathèque Française, Paris and The Kitchen, New York. He is also one of the editors of the Prizma film-periodical, his first book on experimental cinema (A láthatatlan birodalom / The Invisible Impire) was published in 2016, since then he wrote nine books on film history.

Additional information:

The Search Form


Co-Producer:
2018  Fathers and Sons

Co-Writer:
2017  Frozen May
2018  Fathers and Sons

Director:
2004  Slow Midnight Show
2010  Light-Sleep
2011  Cassette
2012  Look Inside the Ghost Machine
2014  Rimbaud
2015  Polaroids
2015  Pure Virtual Function
2016  8th October 2016
2016  Non-Places: Beyond the Infinite
2017  Frozen May
2017  Some of the Sensations
2018  Fathers and Sons
2018  Love Is A Piece of Paper Torn to Bits
2018  Nutrition Fugue
2018  The Rub
2019  Empty Horses
2019  The Philosophy of Horror (Part I): Etymology
2020  Baroque Femina (Nr.7-11)
2020  The Philosophy of Horror: A Symphony of Film Theory
2021  Arnheim in Anaheim
2022  Dr. Moreau
2022  The Mysterious Affair at Styles
2024  The Geneva Mechanism: A Ghost Movie
????  No Signal Detected
????  The Grey Machine
????  The Philosophy of Horror (Part II): Emotion
????  The Philosophy of Horror (Part III): Geography

Editor:
2004  Slow Midnight Show
2010  Light-Sleep
2010  Negative history of Hungarian cinema
2011  Cassette
2012  Look Inside the Ghost Machine
2014  Rimbaud
2015  Polaroids
2015  Pure Virtual Function
2016  8th October 2016
2016  Non-Places: Beyond the Infinite
2017  Frozen May
2017  Some of the Sensations
2018  Fathers and Sons
2018  Love Is A Piece of Paper Torn to Bits
2018  Nutrition Fugue
2018  The Rub
2019  Empty Horses
2019  The Philosophy of Horror (Part I): Etymology
2020  Baroque Femina (Nr.7-11)
2020  The Philosophy of Horror: A Symphony of Film Theory
2021  Arnheim in Anaheim
2022  Dr. Moreau
2022  The Mysterious Affair at Styles
2024  The Geneva Mechanism: A Ghost Movie
????  No Signal Detected
????  The Grey Machine
????  The Philosophy of Horror (Part II): Emotion
????  The Philosophy of Horror (Part III): Geography

Producer:
2004  Slow Midnight Show
2010  Light-Sleep
2010  Negative history of Hungarian cinema
2011  Cassette
2012  Look Inside the Ghost Machine
2014  Rimbaud
2015  Polaroids
2015  Pure Virtual Function
2016  8th October 2016
2016  Non-Places: Beyond the Infinite
2017  Frozen May
2017  Some of the Sensations
2018  Fathers and Sons
2018  Love Is A Piece of Paper Torn to Bits
2018  Nutrition Fugue
2018  The Rub
2019  Empty Horses
2019  The Philosophy of Horror (Part I): Etymology
2020  Baroque Femina (Nr.7-11)
2020  The Philosophy of Horror: A Symphony of Film Theory
2021  Arnheim in Anaheim
2022  Dr. Moreau
2022  The Mysterious Affair at Styles
2024  The Geneva Mechanism: A Ghost Movie
????  No Signal Detected
????  The Grey Machine
????  The Philosophy of Horror (Part II): Emotion
????  The Philosophy of Horror (Part III): Geography

Writer:
2004  Slow Midnight Show
2010  Light-Sleep
2010  Negative history of Hungarian cinema
2011  Cassette
2012  Look Inside the Ghost Machine
2014  Rimbaud
2015  Polaroids
2015  Pure Virtual Function
2016  8th October 2016
2016  Non-Places: Beyond the Infinite
2017  Frozen May
2017  Some of the Sensations
2018  Fathers and Sons
2018  Love Is A Piece of Paper Torn to Bits
2018  Nutrition Fugue
2018  The Rub
2019  Empty Horses
2019  The Philosophy of Horror (Part I): Etymology
2020  Baroque Femina (Nr.7-11)
2020  The Philosophy of Horror: A Symphony of Film Theory
2021  Arnheim in Anaheim
2022  Dr. Moreau
2022  The Mysterious Affair at Styles
2024  The Geneva Mechanism: A Ghost Movie
????  No Signal Detected
????  The Grey Machine
????  The Philosophy of Horror (Part II): Emotion
????  The Philosophy of Horror (Part III): Geography

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.