Michele Gammino (b. 1941)

Birthplace:
Rome, Lazio, Italy

Born:
June 16, 1941

Michele Gammino (born June 16, 1941) is an Italian actor, voice actor and television presenter.  Born in Rome to parents who originated from Palermo, Gammino began his career during the early 1970s. For his work on Italian television, Gammino has become famous on a number of occasions but mostly as presenter of Giochi senza frontiere, the Italian edition of Jeux Sans Frontières, which he co-hosted with Ettore Andenna and Milly Carlucci between 1979 and 1982. He also commentated for Italy at the 1980 Eurovision Song Contest. Gammino continued to act for television, he provided newly restored voices in a series of Italian films which include Le ragazze di Piazza di Spagna, Carabinieri 7, Una donna per amico, Linda e il brigadiere, Un medico in famiglia and the third season of I Cesaroni.  Gammino is probably best known in Italy for his roles in dubbing film into the Italian language. He is the official Italian voice actor of Harrison Ford and Steven Seagal. He has even dubbed over 40 characters in films portrayed by actors such as Kevin Costner, Bill Murray, Jack Nicholson, Chevy Chase, Chazz Palminteri and Bob Hoskins. He also performed the Italian voice of James Bond in The Living Daylights and Licence to Kill which both starred Timothy Dalton as Bond. In Gammino's animated roles, he dubbed the voices of Nando in Asterix and Cleopatra and Eddie Valiant in Who Framed Roger Rabbit. He also became the new voice of Morbo in Futurama after the death of Sandro Sardone in 2009.  Since 2008, Gammino has been a presenter on Rai Radio 2.  Gammino is the father of voice actor Roberto Gammino. His niece Letizia Scifoni is also a voice actress.  Source: Article "Michele Gammino" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.