Nate Adams

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Nate Adams is an Award Winning Writer, Director and Producer with over 20 years of experience in entertainment. His career started as an actor and quickly transitioned to screenwriter where Nate was re-writing and polishing scripts for some of the biggest producers in Hollywood. In 2006, Nate started directing and producing, and he hasn't looked back since.  He is the president of Chassy Media, a full service production and distribution company. Together with is his partner, Adam Carolla, Nate has built Chassy Media into an industry powerhouse in the automotive space through an impressive slate of award-winning documentaries, feature films and branded content including, Winning: The Racing Life of Paul Newman (2015), The 24 Hour War (2016), Shelby American: The Carroll Shelby Story (2019), and Uppity: The Willy T. Ribbs Story (2020).  Chassy Media also has a distribution arm spearheaded by Adams. They represent over 80 films and TV Series. In 2019, Nate created The Chassy Channel on Pluto TV. Chassy is busy creating and designing new channels and platforms to grow and stay ahead of the curve in the ever-changing distribution space.  Nate was born and raised in Montana and was a 3 X High School state wrestling champion.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.