Karen Tarleton

Karen Tarleton's work encompasses film, television, theater, voice-over and singing, in both the U.S. and Great Britain.  Karen was born and raised in the Allegheny Mountains of northwestern Pennsylvania, part of a large musical and artistic family. She set out for Los Angeles in the early 1970s and spent the next several years as a production assistant and script supervisor on game shows, TV specials and variety shows in L.A., Nashville and Las Vegas. Having gained a great deal of experience behind the camera, Karen transitioned to the front of the camera, and in 1980 landed a recurring role on General Hospital, followed by a recurring role on The Young and the Restless, then on to a full TV, film and theater career. She was a long-time member of the West Coast Ensemble theater group, and has performed in many regional and Southern California venues, in both classical and contemporary shows. She moved to England, became a member of British Equity, and worked for three years in England, Scotland, Ireland and Wales. Back in the States she has continued steady work as a versatile journeyman actress in film, TV, theater, commercials, voice-overs and singing (both secular and liturgical).  She is also an educator, having taught for many years at Loyola Marymount University in Theater Arts, and at Jeff Alan Lee's Young Actors Studio.  Karen has been a member of SAG-AFTRA and Actors Equity Association since 1980. She has been a member of the Los Angeles Classical Theatre Lab and the Writers and Actors Lab for over 30 years.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.