A work in constant progress (and occasional regress).
Costume Design:
2002 Platée
2011 Cendrillon
2016 The Golden Cockerel
???? La Fille du régiment - Royal Opera House
Costume Designer:
2002 Platée
2011 Cendrillon
2012 Massenet: Manon
2016 The Golden Cockerel
2018 Massenet: Cendrillon
2019 Rossini: Il Barbiere di Siviglia (Théâtre des Champs-Élysées, 2017)
2019 The Metropolitan Opera: La Fille du Régiment
???? La Fille du régiment - Royal Opera House
Director:
1997 Orphée aux enfers
2000 La Belle Hélène
2002 Platée
2004 La Grande-Duchesse de Gérolstein
2006 L'Elisir d'Amore
2007 Donizetti: La Fille du Régiment
2007 La vie parisienne
2008 Humperdinck: Hansel und Gretel
2010 Don Quichotte
2011 Cendrillon
2011 Jules César
2012 Massenet: Manon
2012 Robert le Diable
2014 The ROH Live: L'Elisir d'Amore
2016 The Golden Cockerel
2018 Donizetti: L'Elisir d'amore
2018 Massenet: Cendrillon
2018 Puccini: Gianni Schicchi
2018 Ravel: L'Heure espagnole
2019 Rossini: Il Barbiere di Siviglia (Théâtre des Champs-Élysées, 2017)
2019 The Metropolitan Opera: La Fille du Régiment
2019 Verdi: Falstaff - Teatro Real
2021 Viva la Mamma!
2023 Le Songe d’une nuit d’été - Opéra de Lille
2024 Die Meistersinger von Nürnberg - Teatro Real
???? La Fille du régiment - Royal Opera House
Production Design:
1997 Orphée aux enfers
2000 La Belle Hélène
2002 Platée
2004 La Grande-Duchesse de Gérolstein
2006 L'Elisir d'Amore
2007 Donizetti: La Fille du Régiment
2007 La vie parisienne
2008 Humperdinck: Hansel und Gretel
2010 Don Quichotte
2011 Cendrillon
2011 Jules César
2012 Massenet: Manon
2012 Robert le Diable
2014 The ROH Live: L'Elisir d'Amore
2016 The Golden Cockerel
2018 Donizetti: L'Elisir d'amore
2018 Massenet: Cendrillon
2018 Puccini: Gianni Schicchi
2018 Ravel: L'Heure espagnole
2019 Rossini: Il Barbiere di Siviglia (Théâtre des Champs-Élysées, 2017)
2019 The Metropolitan Opera: La Fille du Régiment
2019 Verdi: Falstaff - Teatro Real
2021 Viva la Mamma!
2023 Le Songe d’une nuit d’été - Opéra de Lille
2024 Die Meistersinger von Nürnberg - Teatro Real
???? La Fille du régiment - Royal Opera House
Stage Director:
1997 Orphée aux enfers
2000 La Belle Hélène
2002 Platée
2004 La Grande-Duchesse de Gérolstein
2006 L'Elisir d'Amore
2007 Donizetti: La Fille du Régiment
2007 La vie parisienne
2008 Humperdinck: Hansel und Gretel
2010 Don Quichotte
2011 Cendrillon
2011 Jules César
2012 Massenet: Manon
2012 Robert le Diable
2014 The ROH Live: L'Elisir d'Amore
2016 The Golden Cockerel
2018 Donizetti: L'Elisir d'amore
2018 Massenet: Cendrillon
2018 Puccini: Gianni Schicchi
2018 Ravel: L'Heure espagnole
2019 Rossini: Il Barbiere di Siviglia (Théâtre des Champs-Élysées, 2017)
2019 The Metropolitan Opera: La Fille du Régiment
2019 Verdi: Falstaff - Teatro Real
2021 Viva la Mamma!
2023 Le Songe d’une nuit d’été - Opéra de Lille
2024 Die Meistersinger von Nürnberg - Teatro Real
???? Gioachino Rossini: Il turco in Italia
???? La Fille du régiment - Royal Opera House
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.