Karel Doing

Birthplace:
Canberra, Australia

Karel Doing (1965, Canberra, Australia) is an independent artist, filmmaker and researcher. His interest in experimental film and expanded cinema is reframed within a critical approach toward modernity and post-modernity, in search of new meanings of the real and the material. Through the study of (phyto)chemical process, the recording of oral history and the (re)use of cinematic heritage he explores alternative knowledge systems. In many of his works the rhythmical, painterly and performative qualities of the analogue film medium are foregrounded.

Additional information:

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Cinematography:
2021  In Vivo

Director:
1992  Vitaal Filmen
1993  Lichtjaren
1993  Nature Trail
1993  Zonder Krokkodillen
1994  Meni
1997  Maas Observation
1999  Energy Energy
2002  A Voyage of Discovery to Tarakan
2003  Rêve Rive
2004  Four Eyes
2005  Egg
2005  Jinx
2008  Getijden
2010  Liquidator
2013  Palindrome Series
2014  Dark Matter
2017  Wilderness Series
2018  Dandelion
2018  The Mulch Spider’s Dream
2020  Phytography
2021  In Vivo
2022  A Perfect Storm
2023  Babbler, Fairy and Thrush
2023  Oxygen
????  Ultimatum

Music:
1992  Vitaal Filmen
1993  Lichtjaren
1993  Nature Trail
1993  Zonder Krokkodillen
1994  Meni
1997  Maas Observation
1999  Energy Energy
2002  A Voyage of Discovery to Tarakan
2003  Rêve Rive
2004  Four Eyes
2005  Egg
2005  Jinx
2008  Getijden
2010  Liquidator
2013  Palindrome Series
2014  Dark Matter
2017  Wilderness Series
2018  Dandelion
2018  The Mulch Spider’s Dream
2020  Phytography
2021  In Vivo
2022  A Perfect Storm
2023  Babbler, Fairy and Thrush
2023  Oxygen
????  Ultimatum

Producer:
1992  Vitaal Filmen
1993  Lichtjaren
1993  Nature Trail
1993  Zonder Krokkodillen
1994  Meni
1997  Maas Observation
1997  Saint
1999  Energy Energy
2002  A Voyage of Discovery to Tarakan
2003  Rêve Rive
2004  Four Eyes
2005  Egg
2005  Jinx
2008  Getijden
2010  Liquidator
2013  Palindrome Series
2014  Dark Matter
2017  Wilderness Series
2018  Dandelion
2018  The Mulch Spider’s Dream
2020  Phytography
2021  In Vivo
2022  A Perfect Storm
2023  Babbler, Fairy and Thrush
2023  Oxygen
????  Ultimatum

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.