A work in constant progress (and occasional regress).
Birthplace:
Buenos Aires, Argentina
Born:
January 1, 1976
Pablo Mazzolo (Argentina) is a filmmaker and educator born in Buenos Aires in 1976. He works exclusively in analogue film formats exploring the optical and chemical properties of the medium, with a particular focus on human and natural landscapes. His work has tackled themes such as indigenous sovereignty, the spectre of military dictatorship, extinction and environmental catastrophe. He received an MFA from the University of Buenos Aires (2001). His films, including Diego La Silla (2000), Oaxaca Tohoku (2011), El Quilpo sueña cataratas (2012), Fotooxidación (2013), and Ceniza Verde (2019), have been widely exhibited at festivals, museums, and galleries internationally, including Arsenal Institute for Film and Video Art, Museo Nacional Centro de Arte Reina Sofía, Melbourne International Film Festival, Berkeley Art Museum and Pacific Film Archive, The Block Museum of Art, Govett-Brewster Art Gallery, Anthology Film Archives, Mar del Plata International Film Festival, Brooklyn Museum, The Buenos Aires Museum of Modern Art, International Film Festival Rotterdam, New York Film Festival, Edinburgh International Film Festival, Punto de Vista Festival, Frontera Sur International Non-Fiction Festival, Museo Tamayo, Valdivia International Film Festival, FAMU International, The Latin American Museum of Art Buenos Aires, Chicago Underground Film Festival, San Francisco Cinematheque, The Friedl Kubelka School for Independent Film, (S8) Mostra de Cinema Periférico, and Cinemateca Madrid, among many others. His film Conjectures (2013) won Grand Prize, Media City Film Festival (2013); Fish Point (2015) was awarded the Kodak Cinematic Vision Award, Ann Arbor Film Festival (2016); and Cineza Verda (2019) was awarded Grand Prize, Buenos Aires International Festival of Independent Cinema (2019). Mazzolo is Professor at the National University of Quilmes, works as a freelance documentary film editor, and teaches workshops on visual perception and image creation to young people living with autism. He lives and works in Buenos Aires, Argentina
Assistant Director:
???? La botella
Director:
2000 Diego la silla
2010 Pizza's Factory
2011 Oaxaca Tohoku
2013 Conjectures
2013 Photooxidation
2013 The Quilpo Dreams Waterfalls
2014 Intervened Events
2015 Fish Point
2017 NN
2020 Green Ash
2022 The Newest Olds
???? La botella
Director of Photography:
2000 Diego la silla
2010 Pizza's Factory
2011 Alter Sapukai! Damo Suzuki en Argentina
2011 Oaxaca Tohoku
2013 Conjectures
2013 Photooxidation
2013 The Quilpo Dreams Waterfalls
2014 Intervened Events
2015 Fish Point
2017 NN
2020 Green Ash
2022 The Newest Olds
???? La botella
Editor:
2000 Diego la silla
2010 Pizza's Factory
2011 Alter Sapukai! Damo Suzuki en Argentina
2011 Oaxaca Tohoku
2013 Conjectures
2013 Photooxidation
2013 The Quilpo Dreams Waterfalls
2014 Intervened Events
2015 Fish Point
2016 Territorio
2017 NN
2019 The Faculties
2020 Green Ash
2021 Nosotras también estuvimos
2022 Camouflage
2022 The Newest Olds
2023 Ongoing Cave
???? La botella
Producer:
2000 Diego la silla
2010 Pizza's Factory
2011 Alter Sapukai! Damo Suzuki en Argentina
2011 Oaxaca Tohoku
2013 Conjectures
2013 Photooxidation
2013 The Quilpo Dreams Waterfalls
2014 Intervened Events
2015 Fish Point
2016 Territorio
2017 NN
2019 The Faculties
2020 Green Ash
2021 Nosotras también estuvimos
2022 Camouflage
2022 The Newest Olds
2023 Ongoing Cave
???? La botella
Production Design:
2000 Diego la silla
2010 Pizza's Factory
2011 Alter Sapukai! Damo Suzuki en Argentina
2011 Oaxaca Tohoku
2013 Conjectures
2013 Photooxidation
2013 The Quilpo Dreams Waterfalls
2014 Intervened Events
2015 Fish Point
2016 Territorio
2017 NN
2019 The Faculties
2020 Green Ash
2021 Nosotras también estuvimos
2022 Camouflage
2022 The Newest Olds
2023 Ongoing Cave
???? La botella
Screenplay:
2000 Diego la silla
2010 Pizza's Factory
2011 Alter Sapukai! Damo Suzuki en Argentina
2011 Oaxaca Tohoku
2013 Conjectures
2013 Photooxidation
2013 The Quilpo Dreams Waterfalls
2014 Intervened Events
2015 Fish Point
2016 Territorio
2017 NN
2019 The Faculties
2020 Green Ash
2021 Nosotras también estuvimos
2022 Camouflage
2022 The Newest Olds
2023 Ongoing Cave
???? La botella
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.