A work in constant progress (and occasional regress).
Alias:
Enzo Martinelli
Birthplace:
Union City, New Jersey, USA
Born:
September 29, 1907
Died:
February 5, 1997
Assistant Camera:
1932 White Zombie
Camera Operator:
1932 White Zombie
1949 Daughter of the Jungle
1949 Hideout
1949 Streets of San Francisco
1952 Park Row
1956 Lisbon
Cinematography:
1932 White Zombie
1949 Daughter of the Jungle
1949 Hideout
1949 Streets of San Francisco
1952 Park Row
1956 Lisbon
1972 Dear Joan: We're Going to Scare You to Death
1978 The Jordan Chance
Director of Photography:
1932 White Zombie
1949 Daughter of the Jungle
1949 Hideout
1949 Streets of San Francisco
1952 Park Row
1956 Lisbon
1967 Tammy and the Millionaire
1968 Journey to Shiloh
1972 Dear Joan: We're Going to Scare You to Death
1972 The Bravos
1973 Female Artillery
1973 Money to Burn
1973 The Alpha Caper
1974 Heatwave!
1975 Mobile Two
1976 Riding with Death
1977 Exo-Man
1978 Dr. Strange
1978 The Case of the Baltimore Girls
1978 The Gypsy Warriors
1978 The Jordan Chance
1978 The Meanest Men in the West
1980 The Gossip Columnist
Technical Advisor:
1932 White Zombie
1949 Daughter of the Jungle
1949 Hideout
1949 Streets of San Francisco
1952 Park Row
1956 Lisbon
1967 Tammy and the Millionaire
1968 Journey to Shiloh
1972 Dear Joan: We're Going to Scare You to Death
1972 Slaughterhouse-Five
1972 The Bravos
1973 Female Artillery
1973 Money to Burn
1973 The Alpha Caper
1974 Heatwave!
1975 Mobile Two
1976 Riding with Death
1977 Exo-Man
1978 Dr. Strange
1978 The Case of the Baltimore Girls
1978 The Gypsy Warriors
1978 The Jordan Chance
1978 The Meanest Men in the West
1980 The Gossip Columnist
Director of Photography:
1964 The Munsters
1967 Ironside
1968 Adam-12
1974 The Six Million Dollar Man
1977 79 Park Avenue
1978 Battlestar Galactica
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.