A work in constant progress (and occasional regress).
Alias:
Harold Anderson
Editorial Services:
1938 The Duke of West Point
Matte Painter:
1938 The Duke of West Point
1944 Dangerous Passage
1945 Captain Kidd
Special Effects:
1932 White Zombie
1938 The Duke of West Point
1939 The Flying Deuces
1939 The Man in the Iron Mask
1940 The Son of Monte Cristo
1941 The Corsican Brothers
1944 Dangerous Passage
1945 Captain Kidd
1946 They Made Me a Killer
1956 Curucu, Beast of the Amazon
1957 Invasion of the Saucer-Men
1962 Hands of a Stranger
1962 Taras Bulba
Stunts:
1932 Scarface
1932 White Zombie
1938 The Duke of West Point
1939 The Flying Deuces
1939 The Man in the Iron Mask
1940 The Son of Monte Cristo
1941 The Corsican Brothers
1944 Dangerous Passage
1945 Captain Kidd
1946 They Made Me a Killer
1956 Curucu, Beast of the Amazon
1957 Invasion of the Saucer-Men
1962 Hands of a Stranger
1962 Taras Bulba
Technical Supervisor:
1932 Scarface
1932 White Zombie
1938 The Duke of West Point
1939 The Flying Deuces
1939 The Man in the Iron Mask
1940 The Son of Monte Cristo
1941 The Corsican Brothers
1944 Dangerous Passage
1945 Captain Kidd
1946 They Made Me a Killer
1954 The Sword of Granada
1956 Curucu, Beast of the Amazon
1957 Invasion of the Saucer-Men
1962 Hands of a Stranger
1962 Taras Bulba
Visual Effects:
1932 Scarface
1932 White Zombie
1938 The Duke of West Point
1939 The Flying Deuces
1939 The Man in the Iron Mask
1940 The Son of Monte Cristo
1941 The Corsican Brothers
1944 Dangerous Passage
1945 Captain Kidd
1946 They Made Me a Killer
1949 Love Happy
1952 Aladdin and His Lamp
1954 The Sword of Granada
1956 Curucu, Beast of the Amazon
1956 Nightmare
1957 Invasion of the Saucer-Men
1960 The Amazing Transparent Man
1962 Hands of a Stranger
1962 Jack the Giant Killer
1962 Taras Bulba
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.