Paul-Louis Boutié

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Art Designer:
1957  The Inspector Likes a Fight

Art Direction:
1950  Three Sinners
1957  The Inspector Likes a Fight
1966  The Gardener of Argenteuil

Decorator:
1950  Three Sinners
1953  Follow That Man
1957  The Inspector Likes a Fight
1966  The Gardener of Argenteuil

Head Decorator:
1950  Three Sinners
1953  Follow That Man
1957  The Inspector Likes a Fight
1965  How to Keep the Red Lamp Burning
1966  The Gardener of Argenteuil

Production Design:
1946  Driving Lesson
1946  The Uncatchable Mr. Frederic
1947  Noah's Ark
1948  La Nuit blanche
1950  Three Feet in a Bed
1950  Three Sinners
1952  Mr. Leguignon Lampiste
1953  Follow That Man
1954  The Unfrocked One
1957  Mort en fraude
1957  The Inspector Likes a Fight
1957  There's Always a Price Tag
1960  Les lionceaux
1961  Taxi for Tobruk
1962  The Iron Mask
1964  Fantomas
1965  How to Keep the Red Lamp Burning
1965  OSS 117: Mission for a Killer
1966  The Gardener of Argenteuil

Set Decoration:
1943  Immortal France
1946  Driving Lesson
1946  The Uncatchable Mr. Frederic
1947  Noah's Ark
1948  La Nuit blanche
1950  Three Feet in a Bed
1950  Three Sinners
1952  Mr. Leguignon Lampiste
1953  Follow That Man
1954  The Unfrocked One
1957  Mort en fraude
1957  The Inspector Likes a Fight
1957  There's Always a Price Tag
1960  Les lionceaux
1961  Taxi for Tobruk
1962  The Iron Mask
1964  Fantomas
1965  How to Keep the Red Lamp Burning
1965  OSS 117: Mission for a Killer
1966  The Gardener of Argenteuil

Set Designer:
1943  Immortal France
1946  Driving Lesson
1946  The Uncatchable Mr. Frederic
1947  Noah's Ark
1948  La Nuit blanche
1950  Three Feet in a Bed
1950  Three Sinners
1952  Mr. Leguignon Lampiste
1953  Follow That Man
1954  The Unfrocked One
1957  Mort en fraude
1957  The Inspector Likes a Fight
1957  There's Always a Price Tag
1960  Les lionceaux
1961  Taxi for Tobruk
1962  The Iron Mask
1964  Fantomas
1965  How to Keep the Red Lamp Burning
1965  OSS 117: Mission for a Killer
1966  The Gardener of Argenteuil

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.