A work in constant progress (and occasional regress).
Alias:
浅野秀二
Cinematography:
1982 LOSING THE WAY
Director:
1982 LOSING THE WAY
1983 The New Seven Lines Between Things
Production Assistant:
1982 LOSING THE WAY
1983 Kandagawa Pervert Wars
1983 The New Seven Lines Between Things
Script:
1982 LOSING THE WAY
1983 Kandagawa Pervert Wars
1983 The New Seven Lines Between Things
VFX Production Coordinator:
1982 LOSING THE WAY
1983 Kandagawa Pervert Wars
1983 The New Seven Lines Between Things
2023 Picture of Spring
2024 Chime
VFX Supervisor:
1982 LOSING THE WAY
1983 Kandagawa Pervert Wars
1983 The New Seven Lines Between Things
2016 Sailor Suit and Machine Gun: Graduation
2023 Picture of Spring
2024 Chime
Visual Effects:
1982 LOSING THE WAY
1983 Kandagawa Pervert Wars
1983 The New Seven Lines Between Things
1996 ACRI: The Legend of Homo-Aquarellius
2016 Sailor Suit and Machine Gun: Graduation
2019 Farewell Song
2020 Wife of a Spy
2023 Picture of Spring
2024 Chime
Visual Effects Producer:
1982 LOSING THE WAY
1983 Kandagawa Pervert Wars
1983 The New Seven Lines Between Things
1996 ACRI: The Legend of Homo-Aquarellius
2005 My God, My God, Why Hast Thou Forsaken Me?
2007 Dororo
2016 Sailor Suit and Machine Gun: Graduation
2019 Farewell Song
2020 Wife of a Spy
2022 It's in the Woods
2023 Picture of Spring
2024 Chime
Visual Effects Supervisor:
1982 LOSING THE WAY
1983 Kandagawa Pervert Wars
1983 The New Seven Lines Between Things
1996 ACRI: The Legend of Homo-Aquarellius
2001 Pulse
2005 My God, My God, Why Hast Thou Forsaken Me?
2007 Dororo
2007 Retribution
2010 Tokyo Island
2011 Isoroku Yamamoto, the Commander-in-Chief of the Combined Fleet
2013 Seventh Code
2016 Sailor Suit and Machine Gun: Graduation
2019 Farewell Song
2020 Wife of a Spy
2022 It's in the Woods
2023 Picture of Spring
2024 Chime
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.