Paulin Soumanou Vieyra (1925-1987)

Alias:
Paulin Vieyra

Birthplace:
Porto-Novo, Benin

Born:
January 31, 1925

Died:
November 4, 1987

Benin-born, Senegal-raised filmmaker, theorist, and historian Paulin Soumanou Vieyra was a key figure, as both practitioner and thinker, in the creation and articulation of what a post-colonial African cinema would and could be. Along with producing essential texts like “Film and the Problem of Languages in Africa“ and “Remarks on African Cinema,” founding the important Fédération Panafricaine des Cinéastes, and mentoring the likes of Ousmane Sembène, Djibril Diop Mambéty, and Ababacar Samb-Makharam, Vieyra turned out a vital body of film work, documenting the birth of a new continental consciousness.

Additional information:

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Director:
1954  It was four years ago
1955  Africa on the Seine
1961  A Nation is Born
1964  Lamb
1965  N'Diongane
1965  Sindiely
1966  Le Sénégal et le Festival Mondial des Arts Nègres
1966  Môl
1971  Ife / 3ème Festival des Arts
1981  Behind the Scenes: The Making of Ceddo
1981  Birago Diop, Storyteller
1981  Under House Arrest
1982  Iba N'Diaye

Editor:
1954  It was four years ago
1955  Africa on the Seine
1961  A Nation is Born
1964  Lamb
1965  N'Diongane
1965  Sindiely
1966  Le Sénégal et le Festival Mondial des Arts Nègres
1966  Môl
1971  Ife / 3ème Festival des Arts
1981  Behind the Scenes: The Making of Ceddo
1981  Birago Diop, Storyteller
1981  Under House Arrest
1982  Iba N'Diaye

Producer:
1954  It was four years ago
1955  Africa on the Seine
1961  A Nation is Born
1964  Lamb
1965  N'Diongane
1965  Sindiely
1966  Le Sénégal et le Festival Mondial des Arts Nègres
1966  Môl
1971  Ife / 3ème Festival des Arts
1975  Xala
1981  Behind the Scenes: The Making of Ceddo
1981  Birago Diop, Storyteller
1981  Under House Arrest
1982  Iba N'Diaye

Production Director:
1954  It was four years ago
1955  Africa on the Seine
1961  A Nation is Born
1964  Lamb
1965  N'Diongane
1965  Sindiely
1966  Le Sénégal et le Festival Mondial des Arts Nègres
1966  Môl
1971  Ife / 3ème Festival des Arts
1973  Emitaï
1975  Xala
1981  Behind the Scenes: The Making of Ceddo
1981  Birago Diop, Storyteller
1981  Under House Arrest
1982  Iba N'Diaye

Production Manager:
1954  It was four years ago
1955  Africa on the Seine
1961  A Nation is Born
1964  Lamb
1965  N'Diongane
1965  Sindiely
1966  Le Sénégal et le Festival Mondial des Arts Nègres
1966  Môl
1970  Tauw
1971  Ife / 3ème Festival des Arts
1973  Emitaï
1975  Xala
1981  Behind the Scenes: The Making of Ceddo
1981  Birago Diop, Storyteller
1981  Under House Arrest
1982  Iba N'Diaye

Screenplay:
1954  It was four years ago
1955  Africa on the Seine
1961  A Nation is Born
1964  Lamb
1965  N'Diongane
1965  Sindiely
1966  Le Sénégal et le Festival Mondial des Arts Nègres
1966  Môl
1970  Tauw
1971  Ife / 3ème Festival des Arts
1973  Emitaï
1975  Xala
1981  Behind the Scenes: The Making of Ceddo
1981  Birago Diop, Storyteller
1981  Under House Arrest
1982  Iba N'Diaye

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Additional data for Film Titles come from The Open Movie Database (OMDb).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.