Jochen Jezussek

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Dialogue Editor:
2014  Phoenix

Mixing Engineer:
2014  Phoenix
2016  Bickels [Socialism]

Sound:
2009  The Invisible Frame
2014  Phoenix
2014  Three Stones for Jean Genet
2016  Bickels [Socialism]
2022  Who Is Afraid Of Ideology? Part 4 Reverse Shot

Sound Designer:
2009  Light Gradient
2009  The Invisible Frame
2010  Eleven Uncle
2012  Totem
2013  A Sketch of Manners (Alfred Roch's Last Masquerade)
2014  Phoenix
2014  Three Stones for Jean Genet
2014  Two Museums
2015  After Work
2015  Rosehill
2015  The Days Run Away Like Wild Horses Over the Hills
2016  Bickels [Socialism]
2017  2 + 2 = 22 [The Alphabet]
2018  Namibia Today
2021  Antivilla
2022  Who Is Afraid Of Ideology? Part 4 Reverse Shot
2024  Maia – Portrait with Hands

Sound Editor:
2009  Light Gradient
2009  The Invisible Frame
2010  Eleven Uncle
2012  Barbara
2012  Totem
2013  A Sketch of Manners (Alfred Roch's Last Masquerade)
2013  My Love Awaits Me By the Sea
2014  Phoenix
2014  Three Stones for Jean Genet
2014  Two Museums
2015  After Work
2015  Rosehill
2015  The Days Run Away Like Wild Horses Over the Hills
2016  Bickels [Socialism]
2016  Cosmorama
2017  2 + 2 = 22 [The Alphabet]
2017  Chance 2000
2018  Namibia Today
2021  Antivilla
2022  Who Is Afraid Of Ideology? Part 4 Reverse Shot
2024  Maia – Portrait with Hands

Sound Mixer:
2009  In Comparison
2009  Light Gradient
2009  The Invisible Frame
2010  Eleven Uncle
2012  Barbara
2012  Totem
2013  A Sketch of Manners (Alfred Roch's Last Masquerade)
2013  My Love Awaits Me By the Sea
2014  Europe Endless
2014  Phoenix
2014  This Is Cosmos
2014  Three Stones for Jean Genet
2014  Two Museums
2015  After Work
2015  Rosehill
2015  The Communist Revolution Was Caused By The Sun
2015  The Days Run Away Like Wild Horses Over the Hills
2015  The Night
2016  Bickels [Socialism]
2016  Cosmorama
2016  From the West
2017  2 + 2 = 22 [The Alphabet]
2017  Chance 2000
2017  Immortality and Resurrection For All!
2018  Namibia Today
2020  Al largo
2021  Antivilla
2021  Kaiserspiel
2021  The Last City
2022  Tara
2022  Who Is Afraid Of Ideology? Part 4 Reverse Shot
2023  De Facto
2023  Geheimkommando Familie
2023  The Group Crit
2024  All We Ever Wanted
2024  Berlin Utopiekadaver
2024  Maia – Portrait with Hands
????  Am Ende des Tages

Sound Re-Recording Mixer:
2009  In Comparison
2009  Light Gradient
2009  The Invisible Frame
2010  Eleven Uncle
2012  Barbara
2012  Totem
2013  A Sketch of Manners (Alfred Roch's Last Masquerade)
2013  My Love Awaits Me By the Sea
2014  Europe Endless
2014  Phoenix
2014  This Is Cosmos
2014  Three Stones for Jean Genet
2014  Two Museums
2015  After Work
2015  Rosehill
2015  The Communist Revolution Was Caused By The Sun
2015  The Days Run Away Like Wild Horses Over the Hills
2015  The Night
2016  Bickels [Socialism]
2016  Cosmorama
2016  From the West
2017  2 + 2 = 22 [The Alphabet]
2017  Beyond the One
2017  Chance 2000
2017  Immortality and Resurrection For All!
2018  Namibia Today
2020  Al largo
2021  Antivilla
2021  Kaiserspiel
2021  The Last City
2022  Tara
2022  Who Is Afraid Of Ideology? Part 4 Reverse Shot
2023  De Facto
2023  Geheimkommando Familie
2023  The Group Crit
2024  All We Ever Wanted
2024  Berlin Utopiekadaver
2024  Maia – Portrait with Hands
????  Am Ende des Tages

Sound mixer:
2009  In Comparison
2009  Light Gradient
2009  The Invisible Frame
2010  Eleven Uncle
2012  Barbara
2012  Totem
2013  A Sketch of Manners (Alfred Roch's Last Masquerade)
2013  My Love Awaits Me By the Sea
2014  Europe Endless
2014  Phoenix
2014  This Is Cosmos
2014  Three Stones for Jean Genet
2014  Two Museums
2015  After Work
2015  Rosehill
2015  The Communist Revolution Was Caused By The Sun
2015  The Days Run Away Like Wild Horses Over the Hills
2015  The Night
2016  Bickels [Socialism]
2016  Cosmorama
2016  From the West
2017  2 + 2 = 22 [The Alphabet]
2017  Beyond the One
2017  Chance 2000
2017  Immortality and Resurrection For All!
2018  Namibia Today
2020  Al largo
2021  Antivilla
2021  Kaiserspiel
2021  The Last City
2022  Tara
2022  Who Is Afraid Of Ideology? Part 4 Reverse Shot
2023  De Facto
2023  Geheimkommando Familie
2023  The Group Crit
2024  All We Ever Wanted
2024  Berlin Utopiekadaver
2024  Maia – Portrait with Hands
????  Am Ende des Tages

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.