A work in constant progress (and occasional regress).
Birthplace:
Bogotá, DC, Colombia
Born:
January 1, 1900
Died:
January 1, 1967
Actor, cameraman and film producer (Bogotá, 1900 - Cali, 1967). In 1924 he married the Belgian Carmen Halewyck, with whom he had three daughters: Lucy, Olga and Irma. He was the first of the Acevedo brothers to be linked to his father's artistic activities, playing one of the main characters in La tragedia del silencio. He learned film technique from Hernando Bernal, cameraman for the brothers Francisco and Vicente Di Doménico, and by reading manuals, but above all in practice, as a photographer for the film Bajo el cielo antioqueño. With his brother Álvaro, they complemented personalities and talents to produce silent and sound documentary films for the next twenty years. In 1932 he traveled as a cameraman with the troops that moved overland to fight in the war against Peru. His passion for the craft made him a skilled photographer and editor with magnifying glass and scissors. From 1940 to 1942 he was head of the Film Section of the Ministry of Education, appointed by then Minister Jorge Eliécer Gaitán. From 1950 he produced some documentaries and worked as cameraman for other producers. In 1955 he retired to live near Montería, and in the 1960s he sold the Acevedo brothers' archive to Esso Colombiana.
Director:
1933 Colombia victoriosa
1937 Los Primeros Ensayos del Cine Parlante Nacional
1937 Olaya Herrera y Eduardo Santos o de la cuna al sepulcro
Director of Photography:
1925 Under the Antioquian Sky
1933 Colombia victoriosa
1937 Los Primeros Ensayos del Cine Parlante Nacional
1937 Olaya Herrera y Eduardo Santos o de la cuna al sepulcro
Editor:
1925 Under the Antioquian Sky
1933 Colombia victoriosa
1937 Los Primeros Ensayos del Cine Parlante Nacional
1937 Olaya Herrera y Eduardo Santos o de la cuna al sepulcro
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.