Andrés Vicente Gómez (b. 1943)

Alias:
Andres Gomez
Andres V. Gomez
Andres Vicente Gomez
Andres Vincente Gomez
Andrés Vicente Gomez
Andrés Vicente Gómez Montero

Birthplace:
Madrid, Madrid, Spain

Born:
September 16, 1943

Andrés Vicente Gómez (Madrid, 16 September 1943) is a Spanish film producer, head of Lolafilms, with more than 100 films to his credit.  Gómez is the winner of an Oscar in the category of Best Foreign Language film for "Belle Epoque". Together with the prizes won at festivals like Berlin, Venice, Montreal and San Sebastian, Gomez´s near annual presence at the Spanish Goya Film Awards make him the Spanish producer with most national and international awards to his name.  Many of Spain´s most successful box-office hits have been produced by Andrés Vicente Gómez, who has worked with directors such as Fernando Trueba, Pedro Almodóvar, Carlos Saura, Bigas Luna, Vicente Aranda, Álex de la Iglesia, Manuel Gutiérrez Aragón, Pilar Miró, Santiago Segura, Jose Luis García Sánchez, John Malkovich, and Ray Loriga, amongst others. In recognition for his work as one of the producers most contributing to cinema, in 1998 the Cannes Film Festival paid tribute to Gómez with a special homage.  As a film distributor from the early 1970s onwards, Andrés Vicente Gómez has brought an eclectic selection of international films to Spanish audiences, with classics from directors like Buster Keaton, Charles Chaplin, Jean-Pierre Melville, and Akira Kurosawa, as well as Oscar scooping titles like "The Last Emperor", "Dances With Wolves", "Driving Miss Daisy" and "Henry V". Gómez has distributed the work of numerous cult directors like Bernardo Bertolucci, Robert Bresson, Claude Chabrol, Peter Greenaway, Shoei Imamura, Krzysztof Kieslovski, Alain Resnais, François Truffaut, Bertrand Tavernier, as well as introducing the independent voices of directors like Hal Hartley, Neil Jordan, Paul Morrisey, Tim Robbins and Alan Rudolph. (Wikipedia)

Additional information:

The Search Form


Co-Producer:
1999  A Sweet Scent of Death

Executive Producer:
1968  White Comanche
1972  What the Peeper Saw
1974  House of the Damned
1976  The Mistress
1977  The Andalusian Widow
1978  Why Did We Lose the War?
1979  Silvia ama a Raquel
1980  The Truth on the Savolta Affair
1985  Move Over, Mrs. Markham
1986  Matador
1988  El Dorado
1988  How Good the Whites Are
1990  Ay, Carmela!
1992  Belle Époque
1993  Banderas, the Tyrant
1993  Golden Balls
1995  Antártida
1995  Cuernos de mujer
1996  Freedomfighters
1996  Matías, juez de línea
1996  Palace
1999  A Sweet Scent of Death
2003  Song for a Raggy Boy
2007  Lolita's Club

Idea:
1968  White Comanche
1972  What the Peeper Saw
1974  House of the Damned
1976  The Mistress
1977  The Andalusian Widow
1978  Why Did We Lose the War?
1979  Silvia ama a Raquel
1980  The Truth on the Savolta Affair
1985  Move Over, Mrs. Markham
1986  Matador
1988  El Dorado
1988  How Good the Whites Are
1990  Ay, Carmela!
1992  Belle Époque
1993  Banderas, the Tyrant
1993  Golden Balls
1995  Antártida
1995  Cuernos de mujer
1996  Freedomfighters
1996  Matías, juez de línea
1996  Palace
1999  A Sweet Scent of Death
2003  Song for a Raggy Boy
2004  Isi/Disi - Amor a lo bestia
2007  Lolita's Club

Producer:
1968  White Comanche
1972  What the Peeper Saw
1974  House of the Damned
1975  Bloodbath
1975  The Killer Is Not Alone
1976  The Mistress
1977  La Rauliuto In Freedom
1977  The Andalusian Widow
1978  I Wanted to Sleep in Peace
1978  Why Did We Lose the War?
1979  Silvia ama a Raquel
1980  The Truth on the Savolta Affair
1982  Corridas de alegría
1983  Los caraduros
1984  Christina
1984  El pan debajo del brazo
1985  Move Over, Mrs. Markham
1986  Matador
1986  Year of Enlightment
1988  El Dorado
1988  How Good the Whites Are
1989  Rowing with the Wind
1989  The Dark Night of the Soul
1990  Ay, Carmela!
1990  The Ages of Lulu
1991  The Longest Night
1992  Belle Époque
1992  Death and the Compass
1992  Jamon Jamon
1993  Banderas, the Tyrant
1993  Golden Balls
1993  Marathon
1993  The Bilingual Lover
1994  Turkish Passion
1995  Antártida
1995  Cuernos de mujer
1995  King of the River
1995  The Day of the Beast
1996  Freedomfighters
1996  Killer Tongue
1996  La Celestina
1996  Matías, juez de línea
1996  Palace
1997  Dance with the Devil
1997  In Praise of Older Women
1997  La duquesa roja
1998  Grandes ocasiones
1998  Tangos Are for Two
1998  Torrente, the Dumb Arm of the Law
1999  A Sweet Scent of Death
1999  Goya in Bordeaux
1999  Second Skin
2000  Common Wealth
2000  The Goalkeeper
2001  Black Serenade
2001  His Master's Voice
2001  Lázaro de Tormes
2001  Merry Christmas
2001  Off Key
2001  Rain
2001  Torrente 2: Mission in Marbella
2002  God Is on Air
2002  Natale sul Nilo
2002  The Biggest Robbery Never Told
2002  The Dancer Upstairs
2002  The Green March
2002  The Shanghai Spell
2003  Soldiers of Salamina
2003  Song for a Raggy Boy
2004  Isi/Disi - Amor a lo bestia
2004  The 7th Day
2006  Isi & Disi: alto voltaje
2007  Lolita's Club
2008  A Matador's Mistress
2009  I, Don Giovanni
2011  As Luck Would Have It
2019  Born a King
2022  Champions

Creator:
1999  Petra Delicado

Executive Producer:
1985  Los Pazos de Ulloa
1993  Cuentos de Borges
1999  Petra Delicado

Producer:
1985  Los Pazos de Ulloa
1993  Cuentos de Borges
1999  Petra Delicado

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.