A work in constant progress (and occasional regress).
Alias:
Роман Бондарчук
Camera Operator:
2016 Automaidan
2016 Euromaidan SOS
2016 Lustration
2016 Self-Defense
2016 Ukrainian Language
2016 White Collar Unit
Co-Writer:
2016 Automaidan
2016 Euromaidan SOS
2016 Lustration
2016 Self-Defense
2016 Ukrainian Language
2016 White Collar Unit
2018 Volcano
Director:
2005 Mykola and the German
2007 Taxi-driver
2009 Assholes. Arabesques
2009 MMS
2011 15 Young by Young
2011 Ukraine, Goodbye!
2014 Euromaidan. Rough Cut
2015 Dixieland: Little Kids Big Dreams
2016 Automaidan
2016 Euromaidan SOS
2016 Lustration
2016 Self-Defense
2016 Ukrainian Language
2016 Ukrainian Sheriffs
2016 White Collar Unit
2018 Volcano
2020 Wasteland Tour
2021 Teofipol Welcomes Guests
2024 The Editorial Office
Director of Photography:
2005 Mykola and the German
2007 Taxi-driver
2009 Assholes. Arabesques
2009 MMS
2011 15 Young by Young
2011 Ukraine, Goodbye!
2014 Euromaidan. Rough Cut
2015 Dixieland: Little Kids Big Dreams
2016 Automaidan
2016 Euromaidan SOS
2016 Lustration
2016 Self-Defense
2016 Ukrainian Language
2016 Ukrainian Sheriffs
2016 White Collar Unit
2018 Volcano
2020 Wasteland Tour
2021 Teofipol Welcomes Guests
2024 The Editorial Office
Editor:
2005 Mykola and the German
2007 Taxi-driver
2009 Assholes. Arabesques
2009 MMS
2011 15 Young by Young
2011 Ukraine, Goodbye!
2014 Euromaidan. Rough Cut
2015 Dixieland: Little Kids Big Dreams
2016 Automaidan
2016 Euromaidan SOS
2016 Lustration
2016 Self-Defense
2016 Ukrainian Language
2016 Ukrainian Sheriffs
2016 White Collar Unit
2018 Volcano
2020 Wasteland Tour
2021 Teofipol Welcomes Guests
2023 Witnesses
2024 The Editorial Office
Producer:
2005 Mykola and the German
2007 Taxi-driver
2009 Assholes. Arabesques
2009 MMS
2011 15 Young by Young
2011 Ukraine, Goodbye!
2014 Euromaidan. Rough Cut
2015 Dixieland: Little Kids Big Dreams
2016 Automaidan
2016 Bloggers
2016 Crimea SOS
2016 Euromaidan SOS
2016 Hottabych and His Team
2016 Lustration
2016 Myr
2016 Self-Defense
2016 Ukrainian Language
2016 Ukrainian Sheriffs
2016 White Collar Unit
2018 Volcano
2020 Wasteland Tour
2021 Teofipol Welcomes Guests
2023 Witnesses
2024 The Editorial Office
Screenplay:
2005 Mykola and the German
2007 Taxi-driver
2009 Assholes. Arabesques
2009 MMS
2011 15 Young by Young
2011 Ukraine, Goodbye!
2014 Euromaidan. Rough Cut
2015 Dixieland: Little Kids Big Dreams
2016 Automaidan
2016 Bloggers
2016 Crimea SOS
2016 Euromaidan SOS
2016 Hottabych and His Team
2016 Lustration
2016 Myr
2016 Self-Defense
2016 Ukrainian Language
2016 Ukrainian Sheriffs
2016 White Collar Unit
2018 Volcano
2020 Wasteland Tour
2021 Teofipol Welcomes Guests
2023 Witnesses
2024 The Editorial Office
Writer:
2005 Mykola and the German
2007 Taxi-driver
2009 Assholes. Arabesques
2009 MMS
2011 15 Young by Young
2011 Ukraine, Goodbye!
2014 Euromaidan. Rough Cut
2015 Dixieland: Little Kids Big Dreams
2016 Automaidan
2016 Bloggers
2016 Crimea SOS
2016 Euromaidan SOS
2016 Hottabych and His Team
2016 Lustration
2016 Myr
2016 Self-Defense
2016 Ukrainian Language
2016 Ukrainian Sheriffs
2016 White Collar Unit
2018 Volcano
2020 Wasteland Tour
2021 Teofipol Welcomes Guests
2023 Witnesses
2024 The Editorial Office
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.