A work in constant progress (and occasional regress).
Co-Producer:
2020 We Are Here Now
Costume Designer:
2007 June
2020 We Are Here Now
Director:
2007 June
2012 Second Class
2015 Crisis Document. A Survival Guide
2020 We Are Here Now
2022 Good Life
Director of Photography:
2007 June
2012 Second Class
2015 Crisis Document. A Survival Guide
2020 We Are Here Now
2022 Good Life
Editor:
2007 June
2012 Second Class
2015 Crisis Document. A Survival Guide
2020 We Are Here Now
2022 Good Life
Makeup & Hair:
2007 June
2012 Second Class
2015 Crisis Document. A Survival Guide
2020 We Are Here Now
2022 Good Life
Producer:
2007 June
2010 Not Panic
2012 Second Class
2015 Crisis Document. A Survival Guide
2018 Until Further Notice
2020 We Are Here Now
2022 Good Life
2024 The Building and Burning of a Refugee Camp
2024 fifteen zero three nineteenth of january two thousand sixteen
Production Designer:
2007 June
2010 Not Panic
2012 Second Class
2015 Crisis Document. A Survival Guide
2018 Until Further Notice
2020 We Are Here Now
2022 Good Life
2024 The Building and Burning of a Refugee Camp
2024 fifteen zero three nineteenth of january two thousand sixteen
Screenplay:
2007 June
2010 Not Panic
2012 Second Class
2015 Crisis Document. A Survival Guide
2018 Until Further Notice
2020 We Are Here Now
2022 Good Life
2024 The Building and Burning of a Refugee Camp
2024 fifteen zero three nineteenth of january two thousand sixteen
Sound Engineer:
2007 June
2010 Not Panic
2012 Second Class
2015 Crisis Document. A Survival Guide
2018 Until Further Notice
2020 We Are Here Now
2022 Good Life
2024 The Building and Burning of a Refugee Camp
2024 fifteen zero three nineteenth of january two thousand sixteen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.