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Pere Joan Ventura

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Film Performances

Click the heading above to show or hide the list.

Film Production

Assistant Camera:
1972  Vampir Cuadecuc
1973  Miro Forja
1973  Miró tapís

Assistant Director:
1972  Vampir Cuadecuc
1973  Miro Forja
1973  Miró tapís
1989  If They Tell You I Fell
1993  The Bilingual Lover

Camera Operator:
1972  Vampir Cuadecuc
1973  Miro Forja
1973  Miró tapís
1989  If They Tell You I Fell
1993  The Bilingual Lover
2018  Hotel Explotación: Las Kellys
2018  Un vas d'aigua per a l'Elio

Director:
1972  Vampir Cuadecuc
1973  Miro Forja
1973  Miró tapís
1989  If They Tell You I Fell
1993  The Bilingual Lover
2003  El efecto Iguazú
2004  Every So Often in the World...
2004  With Good Reason
2006  En la calle
2012  Plou I Fa Sol
2015  No estamos solos
2018  Hotel Explotación: Las Kellys
2018  Un vas d'aigua per a l'Elio

Screenplay:
1972  Vampir Cuadecuc
1973  Miro Forja
1973  Miró tapís
1989  If They Tell You I Fell
1993  The Bilingual Lover
2003  El efecto Iguazú
2004  Every So Often in the World...
2004  With Good Reason
2006  En la calle
2009  El campo de batalla
2012  Plou I Fa Sol
2015  No estamos solos
2018  Hotel Explotación: Las Kellys
2018  Un vas d'aigua per a l'Elio

Sound Recordist:
1972  Vampir Cuadecuc
1973  Miro Forja
1973  Miró tapís
1977  General Report
1989  If They Tell You I Fell
1993  The Bilingual Lover
2003  El efecto Iguazú
2004  Every So Often in the World...
2004  With Good Reason
2006  En la calle
2009  El campo de batalla
2012  Plou I Fa Sol
2015  No estamos solos
2018  Hotel Explotación: Las Kellys
2018  Un vas d'aigua per a l'Elio

Writer:
1972  Vampir Cuadecuc
1973  Miro Forja
1973  Miró tapís
1977  General Report
1989  If They Tell You I Fell
1993  The Bilingual Lover
2003  El efecto Iguazú
2004  Every So Often in the World...
2004  With Good Reason
2006  En la calle
2009  El campo de batalla
2012  Plou I Fa Sol
2015  No estamos solos
2018  Hotel Explotación: Las Kellys
2018  Un vas d'aigua per a l'Elio

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.