Omar A. Razzak

Alias:
Omar A. Razzak Martinez

Canarian filmmaker graduated in Madrid and Paris (Audiovisual Communication (UCM) / Master in Film Creation and Management (URJC)). Founder of Tourmalet Films, he has produced feature films such as "Stockholm" with 3 Goya nominations; short films such as "Todo un futuro juntos" nominated in 2014; and Ibero-American documentary co-productions such as "La selva inflada" or "Doble Yo" premiered at FICCI; and European co-productions such as "La Ășltima Primavera". He has been TV-producer of the documentary series "HĂ©roes Invisibles" for La 2.

Additional information:

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Assistant Editor:
2009  Thawing Out

Co-Producer:
2009  Thawing Out
2021  Last Days of Spring

Director:
2009  Thawing Out
2014  Paradiso
2016  The Calm Tempest
2019  Confined Spaces
2021  Last Days of Spring
2021  The First Thing
2023  Killing Crabs

Editor:
2009  Thawing Out
2014  An Entire Future Together
2014  Paradiso
2016  The Calm Tempest
2019  Confined Spaces
2019  No nos representan
2021  Last Days of Spring
2021  The First Thing
2023  Killing Crabs

Executive Producer:
2009  Thawing Out
2014  An Entire Future Together
2014  Paradiso
2016  The Calm Tempest
2018  Goya's Skull
2019  Confined Spaces
2019  No nos representan
2021  Last Days of Spring
2021  The First Thing
2023  El padre bueno
2023  Killing Crabs

Producer:
2009  Thawing Out
2014  An Entire Future Together
2014  Paradiso
2016  The Calm Tempest
2018  Goya's Skull
2019  Confined Spaces
2019  No nos representan
2021  Last Days of Spring
2021  The First Thing
2023  El padre bueno
2023  Killing Crabs

Screenplay:
2009  Thawing Out
2014  An Entire Future Together
2014  Paradiso
2016  The Calm Tempest
2018  Goya's Skull
2019  Confined Spaces
2019  No nos representan
2021  Last Days of Spring
2021  The First Thing
2023  El padre bueno
2023  Killing Crabs

Writer:
2009  Thawing Out
2014  An Entire Future Together
2014  Paradiso
2016  The Calm Tempest
2018  Goya's Skull
2019  Confined Spaces
2019  No nos representan
2021  Last Days of Spring
2021  The First Thing
2023  El padre bueno
2023  Killing Crabs

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.