Naomi Holwill

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Animation:
2011  Dario Argento's Monkey Business: The Making of Phenomena

Cinematography:
2011  Dario Argento's Monkey Business: The Making of Phenomena
2018  All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan
2020  Jorge Grau: Catalonia's Cult Film King
2021  Searching for Cannibal Holocaust
2022  The Young General: Reflections on Michael Reeves
2023  Fine Archery: The Brave Archer Franchise

Director:
2011  Dario Argento's Monkey Business: The Making of Phenomena
2017  Seeding of a Trend: The Birth of Hong Kong Splatter Cinema
2018  All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan
2018  Me Me Lai Bites Back
2019  Fascism on a Thread: The Strange Story of Nazisploitation Cinema
2020  An Italian Aenigma: Appraising Late Day Fulci
2020  Jorge Grau: Catalonia's Cult Film King
2020  The Emmanuelle Effect
2021  Searching for Cannibal Holocaust
2022  Marauders from the Mediterranean: The Macabre Magic of the Spanish Zombie Film
2022  The Young General: Reflections on Michael Reeves
2023  Fine Archery: The Brave Archer Franchise
????  Brain Food: Analysing Late Day Fulci
????  The Golden Boy: Harvesting a Major New Martial Arts Maverick

Director of Photography:
2011  Dario Argento's Monkey Business: The Making of Phenomena
2017  Seeding of a Trend: The Birth of Hong Kong Splatter Cinema
2018  All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan
2018  Category III: The Untold Story of Hong Kong Exploitation Cinema
2018  Me Me Lai Bites Back
2019  Fascism on a Thread: The Strange Story of Nazisploitation Cinema
2020  An Italian Aenigma: Appraising Late Day Fulci
2020  Jorge Grau: Catalonia's Cult Film King
2020  The Emmanuelle Effect
2021  Searching for Cannibal Holocaust
2022  Marauders from the Mediterranean: The Macabre Magic of the Spanish Zombie Film
2022  The Young General: Reflections on Michael Reeves
2023  Fine Archery: The Brave Archer Franchise
????  Brain Food: Analysing Late Day Fulci
????  The Golden Boy: Harvesting a Major New Martial Arts Maverick

Editor:
2011  Dario Argento's Monkey Business: The Making of Phenomena
2011  Naschy of the Full Moon
2012  From Romero to Rome: The Rise and Fall of the Italian Zombie Movie
2013  Cannon Fodder: The Making of Lifeforce
2014  Behind the Swinging Blade
2014  Parasite Memories: The Making of 'Shivers'
2014  Scream Queens: Horror Heroines Exposed
2014  There Goes the Neighbourhood: The Making of The 'Burbs
2015  42nd Street Memories: The Rise and Fall of America's Most Notorious Street
2015  Raw, Rough and Rabid: The Lacerating Legacy of Cinépix
2017  Seeding of a Trend: The Birth of Hong Kong Splatter Cinema
2018  All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan
2018  Category III: The Untold Story of Hong Kong Exploitation Cinema
2018  Me Me Lai Bites Back
2019  Fascism on a Thread: The Strange Story of Nazisploitation Cinema
2019  Franco-Philes: Musings on Madrid's B-Movie Maverick
2020  An Italian Aenigma: Appraising Late Day Fulci
2020  Jorge Grau: Catalonia's Cult Film King
2020  The Emmanuelle Effect
2021  Searching for Cannibal Holocaust
2022  Marauders from the Mediterranean: The Macabre Magic of the Spanish Zombie Film
2022  The Young General: Reflections on Michael Reeves
2023  Fine Archery: The Brave Archer Franchise
????  Brain Food: Analysing Late Day Fulci
????  From Shaw to Snakes: The Venom and Violence of Early Chinese Language Horror Cinema
????  The Golden Boy: Harvesting a Major New Martial Arts Maverick

Producer:
2011  Dario Argento's Monkey Business: The Making of Phenomena
2011  Naschy of the Full Moon
2012  From Romero to Rome: The Rise and Fall of the Italian Zombie Movie
2013  Cannon Fodder: The Making of Lifeforce
2014  Behind the Swinging Blade
2014  Parasite Memories: The Making of 'Shivers'
2014  Scream Queens: Horror Heroines Exposed
2014  There Goes the Neighbourhood: The Making of The 'Burbs
2015  42nd Street Memories: The Rise and Fall of America's Most Notorious Street
2015  Raw, Rough and Rabid: The Lacerating Legacy of Cinépix
2017  Seeding of a Trend: The Birth of Hong Kong Splatter Cinema
2018  All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan
2018  Category III: The Untold Story of Hong Kong Exploitation Cinema
2018  Me Me Lai Bites Back
2019  Fascism on a Thread: The Strange Story of Nazisploitation Cinema
2019  Franco-Philes: Musings on Madrid's B-Movie Maverick
2020  An Italian Aenigma: Appraising Late Day Fulci
2020  Jorge Grau: Catalonia's Cult Film King
2020  The Emmanuelle Effect
2021  Searching for Cannibal Holocaust
2022  Marauders from the Mediterranean: The Macabre Magic of the Spanish Zombie Film
2022  The Young General: Reflections on Michael Reeves
2023  Fine Archery: The Brave Archer Franchise
????  Brain Food: Analysing Late Day Fulci
????  From Shaw to Snakes: The Venom and Violence of Early Chinese Language Horror Cinema
????  The Golden Boy: Harvesting a Major New Martial Arts Maverick

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.