A work in constant progress (and occasional regress).
Animation:
2011 Dario Argento's Monkey Business: The Making of Phenomena
Cinematography:
2011 Dario Argento's Monkey Business: The Making of Phenomena
2018 All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan
2020 Jorge Grau: Catalonia's Cult Film King
2021 Searching for Cannibal Holocaust
2022 The Young General: Reflections on Michael Reeves
2023 Fine Archery: The Brave Archer Franchise
Director:
2011 Dario Argento's Monkey Business: The Making of Phenomena
2017 Seeding of a Trend: The Birth of Hong Kong Splatter Cinema
2018 All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan
2018 Me Me Lai Bites Back
2019 Fascism on a Thread: The Strange Story of Nazisploitation Cinema
2020 An Italian Aenigma: Appraising Late Day Fulci
2020 Jorge Grau: Catalonia's Cult Film King
2020 The Emmanuelle Effect
2021 Searching for Cannibal Holocaust
2022 Marauders from the Mediterranean: The Macabre Magic of the Spanish Zombie Film
2022 The Young General: Reflections on Michael Reeves
2023 Fine Archery: The Brave Archer Franchise
???? Brain Food: Analysing Late Day Fulci
???? The Golden Boy: Harvesting a Major New Martial Arts Maverick
Director of Photography:
2011 Dario Argento's Monkey Business: The Making of Phenomena
2017 Seeding of a Trend: The Birth of Hong Kong Splatter Cinema
2018 All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan
2018 Category III: The Untold Story of Hong Kong Exploitation Cinema
2018 Me Me Lai Bites Back
2019 Fascism on a Thread: The Strange Story of Nazisploitation Cinema
2020 An Italian Aenigma: Appraising Late Day Fulci
2020 Jorge Grau: Catalonia's Cult Film King
2020 The Emmanuelle Effect
2021 Searching for Cannibal Holocaust
2022 Marauders from the Mediterranean: The Macabre Magic of the Spanish Zombie Film
2022 The Young General: Reflections on Michael Reeves
2023 Fine Archery: The Brave Archer Franchise
???? Brain Food: Analysing Late Day Fulci
???? The Golden Boy: Harvesting a Major New Martial Arts Maverick
Editor:
2011 Dario Argento's Monkey Business: The Making of Phenomena
2011 Naschy of the Full Moon
2012 From Romero to Rome: The Rise and Fall of the Italian Zombie Movie
2013 Cannon Fodder: The Making of Lifeforce
2014 Behind the Swinging Blade
2014 Parasite Memories: The Making of 'Shivers'
2014 Scream Queens: Horror Heroines Exposed
2014 There Goes the Neighbourhood: The Making of The 'Burbs
2015 42nd Street Memories: The Rise and Fall of America's Most Notorious Street
2015 Raw, Rough and Rabid: The Lacerating Legacy of Cinépix
2017 Seeding of a Trend: The Birth of Hong Kong Splatter Cinema
2018 All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan
2018 Category III: The Untold Story of Hong Kong Exploitation Cinema
2018 Me Me Lai Bites Back
2019 Fascism on a Thread: The Strange Story of Nazisploitation Cinema
2019 Franco-Philes: Musings on Madrid's B-Movie Maverick
2020 An Italian Aenigma: Appraising Late Day Fulci
2020 Jorge Grau: Catalonia's Cult Film King
2020 The Emmanuelle Effect
2021 Searching for Cannibal Holocaust
2022 Marauders from the Mediterranean: The Macabre Magic of the Spanish Zombie Film
2022 The Young General: Reflections on Michael Reeves
2023 Fine Archery: The Brave Archer Franchise
???? Brain Food: Analysing Late Day Fulci
???? From Shaw to Snakes: The Venom and Violence of Early Chinese Language Horror Cinema
???? The Golden Boy: Harvesting a Major New Martial Arts Maverick
Producer:
2011 Dario Argento's Monkey Business: The Making of Phenomena
2011 Naschy of the Full Moon
2012 From Romero to Rome: The Rise and Fall of the Italian Zombie Movie
2013 Cannon Fodder: The Making of Lifeforce
2014 Behind the Swinging Blade
2014 Parasite Memories: The Making of 'Shivers'
2014 Scream Queens: Horror Heroines Exposed
2014 There Goes the Neighbourhood: The Making of The 'Burbs
2015 42nd Street Memories: The Rise and Fall of America's Most Notorious Street
2015 Raw, Rough and Rabid: The Lacerating Legacy of Cinépix
2017 Seeding of a Trend: The Birth of Hong Kong Splatter Cinema
2018 All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan
2018 Category III: The Untold Story of Hong Kong Exploitation Cinema
2018 Me Me Lai Bites Back
2019 Fascism on a Thread: The Strange Story of Nazisploitation Cinema
2019 Franco-Philes: Musings on Madrid's B-Movie Maverick
2020 An Italian Aenigma: Appraising Late Day Fulci
2020 Jorge Grau: Catalonia's Cult Film King
2020 The Emmanuelle Effect
2021 Searching for Cannibal Holocaust
2022 Marauders from the Mediterranean: The Macabre Magic of the Spanish Zombie Film
2022 The Young General: Reflections on Michael Reeves
2023 Fine Archery: The Brave Archer Franchise
???? Brain Food: Analysing Late Day Fulci
???? From Shaw to Snakes: The Venom and Violence of Early Chinese Language Horror Cinema
???? The Golden Boy: Harvesting a Major New Martial Arts Maverick
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.