Sam Green (b. 1966)

Alias:
Сэм Грин

Birthplace:
East Lansing, Michigan, USA

Born:
January 1, 1966

Sam Green (born in 1966; East Lansing) is an American documentary filmmaker. His most recent projects are “live documentaries” including 32 Sounds (2022) with electronic musician JD Samson, A Thousand Thoughts (2018) in collaboration with the Kronos Quartet, The Measure of All Things (2014), and The Love Song of R. Buckminster Fuller (2012), which premiered at the Museum of Modern Art as part of the San Francisco International Film Festival. All four works are performed live, with Green narrating and musicians performing the soundtrack. Green's 2004 film The Weather Underground was nominated for an Academy Award, included in the Whitney Biennial, and broadcast nationally on PBS.

Additional information:

The Search Form


Director:
1997  The Rainbow Man/John 3:16
1999  The Fabulous Stains: Behind the Movie
2000  Pie Fight '69
2002  The Weather Underground
2004  N Judah 5:30
2006  Lot 63, Grave C
2008  Clear Glasses
2009  Utopia, Part 3: The World's Largest Shopping Mall
2010  Utopia in Four Movements
2011  (Commissioned) Portrait of Las Vegas
2011  The Universal Language
2012  The Love Song of R. Buckminster Fuller
2013  A Cinematic Study of Fog in San Francisco
2013  Love Letter to the Fog
2014  The Measure of All Things
2017  This Is What The Future Looked Like
2018  A Thousand Thoughts
2018  Julius Caesar Was Buried in a Pet Cemetery
2019  Don’t Call Me Gay Zelig
2020  7 Sounds
2021  Annea Lockwood: A Film About Listening
2023  32 Sounds

Editor:
1997  The Rainbow Man/John 3:16
1999  The Fabulous Stains: Behind the Movie
2000  Pie Fight '69
2002  The Weather Underground
2004  N Judah 5:30
2006  Lot 63, Grave C
2008  Clear Glasses
2008  Faubourg Tremé: The Untold Story of Black New Orleans
2009  Utopia, Part 3: The World's Largest Shopping Mall
2010  Utopia in Four Movements
2011  (Commissioned) Portrait of Las Vegas
2011  The Universal Language
2012  The Love Song of R. Buckminster Fuller
2013  A Cinematic Study of Fog in San Francisco
2013  Love Letter to the Fog
2014  The Measure of All Things
2017  This Is What The Future Looked Like
2018  A Thousand Thoughts
2018  Julius Caesar Was Buried in a Pet Cemetery
2019  Don’t Call Me Gay Zelig
2020  7 Sounds
2021  Annea Lockwood: A Film About Listening
2023  32 Sounds

Producer:
1997  The Rainbow Man/John 3:16
1999  The Fabulous Stains: Behind the Movie
2000  Pie Fight '69
2002  The Weather Underground
2004  N Judah 5:30
2006  Lot 63, Grave C
2008  Clear Glasses
2008  Faubourg Tremé: The Untold Story of Black New Orleans
2009  Utopia, Part 3: The World's Largest Shopping Mall
2010  Utopia in Four Movements
2011  (Commissioned) Portrait of Las Vegas
2011  The Universal Language
2012  The Love Song of R. Buckminster Fuller
2013  A Cinematic Study of Fog in San Francisco
2013  Love Letter to the Fog
2014  The Measure of All Things
2017  This Is What The Future Looked Like
2018  A Thousand Thoughts
2018  Julius Caesar Was Buried in a Pet Cemetery
2019  Don’t Call Me Gay Zelig
2020  7 Sounds
2021  Annea Lockwood: A Film About Listening
2023  32 Sounds

Writer:
1997  The Rainbow Man/John 3:16
1999  The Fabulous Stains: Behind the Movie
2000  Pie Fight '69
2002  The Weather Underground
2004  N Judah 5:30
2006  Lot 63, Grave C
2008  Clear Glasses
2008  Faubourg Tremé: The Untold Story of Black New Orleans
2009  Utopia, Part 3: The World's Largest Shopping Mall
2010  Utopia in Four Movements
2011  (Commissioned) Portrait of Las Vegas
2011  The Universal Language
2012  The Love Song of R. Buckminster Fuller
2013  A Cinematic Study of Fog in San Francisco
2013  Love Letter to the Fog
2014  The Measure of All Things
2017  This Is What The Future Looked Like
2018  A Thousand Thoughts
2018  Julius Caesar Was Buried in a Pet Cemetery
2019  And with Him Came the West
2019  Don’t Call Me Gay Zelig
2020  7 Sounds
2021  Annea Lockwood: A Film About Listening
2023  32 Sounds
????  Daisy

Editor:
1996  The Ultimate Guide

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.