A work in constant progress (and occasional regress).
Alias:
Kim Chang-joo
김창주
Birthplace:
Seoul, South Korea
Born:
October 7, 1972
Kim Chang Ju is a South Korean film editor, screenwriter, and director.
Adaptation:
2021 Hard Hit
Director:
2021 Hard Hit
2024 Amazon Bullseye
Editor:
2006 Fly, Daddy, Fly
2006 Forbidden Quest
2006 Hearty Paws
2009 Flying Giants
2009 Marine Boy
2010 71: Into the Fire
2010 Hello Murderer
2011 Athena: Goddess of War
2011 Children...
2011 Fantastic Theater
2011 The Beast
2011 Unstoppable Family
2011 War of the Arrows
2012 Ghost Sweepers
2012 The Spies
2013 How to Use Guys with Secret Tips
2013 Snowpiercer
2013 The Face Reader
2013 The Five
2013 The Terror Live
2014 A Hard Day
2014 For the Emperor
2014 Mourning Grave
2014 The Admiral: Roaring Currents
2014 The Target
2015 The Exclusive: Beat the Devil's Tattoo
2015 The Long Way Home
2015 The Silenced
2015 The Tiger
2015 Three Summer Nights
2016 Bling
2016 Mood of the Day
2016 Tunnel
2016 Vanishing Time: A Boy Who Returned
2017 Man of Will
2017 Midnight Runners
2017 RV: Resurrected Victims
2017 Real
2017 The Mayor
2017 The Prison
2017 V.I.P.
2018 Champion
2018 Children Gone to Poland
2018 Feng Shui
2018 Heung-boo: The Revolutionist
2018 Take Point
2018 The Great Battle
2018 The Witch: Part 1. The Subversion
2019 Battle of Jangsari
2019 Bring Me Home
2019 Juror 8
2020 Hitman: Agent Jun
2020 Intruder
2020 The Golden Holiday
2021 Hard Hit
2021 Hostage: Missing Celebrity
2021 Kingdom: Ashin of the North
2022 6/45
2022 Decibel
2022 The Pirates: The Last Royal Treasure
2023 Ransomed
2024 Amazon Bullseye
Writer:
2006 Fly, Daddy, Fly
2006 Forbidden Quest
2006 Hearty Paws
2009 Flying Giants
2009 Marine Boy
2010 71: Into the Fire
2010 Hello Murderer
2011 Athena: Goddess of War
2011 Children...
2011 Fantastic Theater
2011 The Beast
2011 Unstoppable Family
2011 War of the Arrows
2012 Ghost Sweepers
2012 The Spies
2013 How to Use Guys with Secret Tips
2013 Snowpiercer
2013 The Face Reader
2013 The Five
2013 The Terror Live
2014 A Hard Day
2014 For the Emperor
2014 Mourning Grave
2014 The Admiral: Roaring Currents
2014 The Target
2015 The Exclusive: Beat the Devil's Tattoo
2015 The Long Way Home
2015 The Silenced
2015 The Tiger
2015 Three Summer Nights
2016 Bling
2016 Mood of the Day
2016 Tunnel
2016 Vanishing Time: A Boy Who Returned
2017 Man of Will
2017 Midnight Runners
2017 RV: Resurrected Victims
2017 Real
2017 The Mayor
2017 The Prison
2017 V.I.P.
2018 Champion
2018 Children Gone to Poland
2018 Feng Shui
2018 Heung-boo: The Revolutionist
2018 Take Point
2018 The Great Battle
2018 The Witch: Part 1. The Subversion
2019 Battle of Jangsari
2019 Bring Me Home
2019 Juror 8
2020 Hitman: Agent Jun
2020 Intruder
2020 The Golden Holiday
2021 Hard Hit
2021 Hostage: Missing Celebrity
2021 Kingdom: Ashin of the North
2022 6/45
2022 Decibel
2022 The Pirates: The Last Royal Treasure
2023 Ransomed
2024 Amazon Bullseye
Editor:
2019 Kingdom
2020 Sweet Home
2023 Moving
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.