Charles Urban (1867-1942)

Birthplace:
Cincinnati, Ohio, USA

Born:
April 15, 1867

Died:
August 29, 1942

Charles Urban is an American producer, director, cinematographer and editor born April 14, 1867 in Cincinnati, Ohio (United States), died August 29, 1942 in Brighton (United Kingdom).  Urban made many types of non-fiction films at the Charles Urban Trading Company, including travel films, war reports, exploration films, sports films, commercials and natural history films. Filmmakers who worked for him include Jack Avery, Joseph Rosenthal, Charles Rider Noble, Harold Mease Lomas, mountaineer Frank Ormiston-Smith, George Rogers, J. Gregory Mantle, and naturalist F. Percy Smith. Smith directed one of Urban's most successful films, The Balancing Bluebottle (1908), which featured a fly balancing objects such as a wine cork with its legs.  In 1906, George Albert Smith and Charles Urban created a new process in England, Kinémacolor, which recreated the impression of (partial) colors in cinema. Marketed at the beginning of 1911, the process was used in some 250 short films.  In Paris, in 1913, Charles Urban built the Théâtre Édouard VII, which was above all a cinema using Kinémacolor. He sold his room to Alphonse Franck the following year.  Urban remained in the United States after the war to re-establish himself as a producer of educational films through his umbrella company, Urban Motion Picture Industries Inc. He produced the Charles cinemagazine series Urban Movie Chats (launched in 1919) and Kineto Review (launched 1921), and made the feature documentaries The Four Seasons (1921) and Evolution (1923). He built a large studio in Irvington, New York, where he planned to introduce a new color film system called Kinekrom, based on the old Kinemacolor, and to distribute educational films on disc using the Spirograph. However, his business interests collapsed in 1924 and he returned to the UK in the late 1920s. He died in Brighton in 1942, aged 75.

Additional information:

The Search Form


About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.