A work in constant progress (and occasional regress).
Birthplace:
Hastings, Sussex, England
Born:
November 18, 1886
Died:
February 11, 1940
Arthur "Geoffrey" Herbert Malins was a British film director most famous for camera and editing work on the 1916 war film The Battle of the Somme, which combined documentary and propaganda, and reached an audience of over 20 million viewers.
Cinematography:
1916 The Battle of the Somme
Director:
1916 The Battle of the Somme
1916 The King Visits His Armies in the Great Advance
1917 The Battle of the Ancre and Advance of the Tanks
1917 The German Retreat and the Battle of Arras
1919 A Little Bit of Fluff
1919 Patricia Brent, Spinster
1922 The Recoil
1928 Double Dealing
1930 London Melody
Director of Photography:
1916 The Battle of the Somme
1916 The King Visits His Armies in the Great Advance
1917 The Battle of the Ancre and Advance of the Tanks
1917 The German Retreat and the Battle of Arras
1919 A Little Bit of Fluff
1919 Patricia Brent, Spinster
1922 The Recoil
1928 Double Dealing
1930 London Melody
Producer:
1916 The Battle of the Somme
1916 The King Visits His Armies in the Great Advance
1917 The Battle of the Ancre and Advance of the Tanks
1917 The German Retreat and the Battle of Arras
1919 A Little Bit of Fluff
1919 Patricia Brent, Spinster
1922 The Recoil
1928 Double Dealing
1930 London Melody
Scenario Writer:
1916 The Battle of the Somme
1916 The King Visits His Armies in the Great Advance
1917 The Battle of the Ancre and Advance of the Tanks
1917 The German Retreat and the Battle of Arras
1919 A Little Bit of Fluff
1919 Patricia Brent, Spinster
1922 The Recoil
1928 Double Dealing
1930 London Melody
Writer:
1916 The Battle of the Somme
1916 The King Visits His Armies in the Great Advance
1917 The Battle of the Ancre and Advance of the Tanks
1917 The German Retreat and the Battle of Arras
1919 A Little Bit of Fluff
1919 Patricia Brent, Spinster
1922 Black Peter
1922 Charles Augustus Milverton
1922 The Abbey Grange
1922 The Boscombe Valley Mystery
1922 The Bruce Partington Plans
1922 The Golden Pince-Nez
1922 The Greek Interpreter
1922 The Musgrave Ritual
1922 The Recoil
1922 The Six Napoleons
1922 The Stockbroker's Clerk
1923 His Last Bow
1923 Silver Blaze
1923 The Blue Carbuncle
1923 The Cardboard Box
1923 The Crooked Man
1923 The Disappearance of Lady Frances Carfax
1923 The Engineer's Thumb
1923 The Gloria Scott
1923 The Missing Three Quarter
1923 The Mystery of Thor Bridge
1923 The Mystery of the Dancing Men
1923 The Speckled Band
1923 The Stone of Mazarin
1923 The Three Students
1928 Double Dealing
1930 London Melody
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.