Daisuke Tsutsumi (b. 1974)

Alias:
Daisuke 'Dice' Tsutsumi
堤大介

Birthplace:
Tōkyō, Japan

Born:
November 6, 1974

Daisuke Tsutsumi (堤 大介; born November 6, 1974) is a Japanese animator and illustrator living in San Francisco, California. He is a former color key artist at Blue Sky Studios and art director at Pixar. Together with Robert Kondo, he founded the indie animation studio Tonko House in 2014.  Born and raised in Tokyo, Japan, he is married to Mei Okuyama (奥山 芽以), a jewelry artist and the niece of acclaimed anime director Hayao Miyazaki. A graduate of the School of Visual Arts in New York, he left Pixar to focus on independent animation. In 2014, he co-directed The Dam Keeper which was nominated for an Oscar for short animated film. He most recently directed the short film Bottle George, based on the original story by Akihiro Nishino, which premiered at the 2024 San Francisco International Film Festival.

Additional information:

The Search Form


  • 2011  Cars 2
    Additional Voices (voice)

Art Direction:
2010  Toy Story 3
2013  Monsters University

Director:
2010  Toy Story 3
2013  Monsters University
2014  The Dam Keeper
2016  Moom
2024  Bottle George

Executive Producer:
2010  Toy Story 3
2013  Monsters University
2014  The Dam Keeper
2016  Moom
2019  The Pig, the Fox, and the Mill
2024  Bottle George

Matte Painter:
2002  Ice Age
2010  Toy Story 3
2013  Monsters University
2014  The Dam Keeper
2016  Moom
2019  The Pig, the Fox, and the Mill
2024  Bottle George

Screenplay:
2002  Ice Age
2010  Toy Story 3
2013  Monsters University
2014  The Dam Keeper
2016  Moom
2019  The Pig, the Fox, and the Mill
2024  Bottle George

Story:
2002  Ice Age
2010  Toy Story 3
2013  Monsters University
2014  The Dam Keeper
2016  Moom
2019  The Pig, the Fox, and the Mill
2024  Bottle George

Creator:
2022  ONI: Thunder God's Tale

Director:
2022  ONI: Thunder God's Tale

Executive Producer:
2022  ONI: Thunder God's Tale

Story:
2022  ONI: Thunder God's Tale

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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