A work in constant progress (and occasional regress).
Nicolas Armada Deocampo (born 1959), best known as Nick Deocampo, is a multi-awarded Filipino filmmaker, film historian, film literacy advocate, film producer, author and the director of the Center for New Cinema.
Director:
1983 Oliver
1985 The Sex Warriors and the Samurai
1986 Beyond the Mainstream: A Salute to Philippine Independent Cinema
1987 Revolutions Happen Like Refrains in a Song
1990 Let This Film Serve as a Manifesto For a New Cinema
1990 The Philippines: A Legacy of Violence
1991 Ynang-Bayan: To Be a Woman Is to Live at a Time of War
1993 Isaak
1993 Memories of Old Manila
1997 Private Wars
1998 Mother Ignacia: Ang Uliran
2000 Pedrong Palad
2004 Edades: Victorio C. Edades and Modernism in Philippine Art
2012 Cine/Sine: Spanish Beginnings of Philippine Cinema
2012 Film: American Beginnings of Philippine Cinema
2014 #pinQCity
2017 Gunita: Mga Alaala sa Pinilakang Tabing
Editor:
1983 Oliver
1985 The Sex Warriors and the Samurai
1986 Beyond the Mainstream: A Salute to Philippine Independent Cinema
1987 Revolutions Happen Like Refrains in a Song
1990 Let This Film Serve as a Manifesto For a New Cinema
1990 The Philippines: A Legacy of Violence
1991 Ynang-Bayan: To Be a Woman Is to Live at a Time of War
1993 Isaak
1993 Memories of Old Manila
1997 Private Wars
1998 Mother Ignacia: Ang Uliran
2000 Pedrong Palad
2004 Edades: Victorio C. Edades and Modernism in Philippine Art
2012 Cine/Sine: Spanish Beginnings of Philippine Cinema
2012 Film: American Beginnings of Philippine Cinema
2014 #pinQCity
2017 Gunita: Mga Alaala sa Pinilakang Tabing
Producer:
1983 Oliver
1985 The Sex Warriors and the Samurai
1986 Beyond the Mainstream: A Salute to Philippine Independent Cinema
1987 Revolutions Happen Like Refrains in a Song
1990 Let This Film Serve as a Manifesto For a New Cinema
1990 The Philippines: A Legacy of Violence
1991 Ynang-Bayan: To Be a Woman Is to Live at a Time of War
1993 Isaak
1993 Memories of Old Manila
1997 Private Wars
1998 Mother Ignacia: Ang Uliran
2000 Pedrong Palad
2004 Edades: Victorio C. Edades and Modernism in Philippine Art
2012 Cine/Sine: Spanish Beginnings of Philippine Cinema
2012 Film: American Beginnings of Philippine Cinema
2014 #pinQCity
2017 Gunita: Mga Alaala sa Pinilakang Tabing
Production Design:
1983 Oliver
1984 Boatman
1985 The Sex Warriors and the Samurai
1986 Beyond the Mainstream: A Salute to Philippine Independent Cinema
1987 Revolutions Happen Like Refrains in a Song
1990 Let This Film Serve as a Manifesto For a New Cinema
1990 The Philippines: A Legacy of Violence
1991 Ynang-Bayan: To Be a Woman Is to Live at a Time of War
1993 Isaak
1993 Memories of Old Manila
1997 Private Wars
1998 Mother Ignacia: Ang Uliran
2000 Pedrong Palad
2004 Edades: Victorio C. Edades and Modernism in Philippine Art
2012 Cine/Sine: Spanish Beginnings of Philippine Cinema
2012 Film: American Beginnings of Philippine Cinema
2014 #pinQCity
2017 Gunita: Mga Alaala sa Pinilakang Tabing
Researcher:
1983 Oliver
1984 Boatman
1985 The Sex Warriors and the Samurai
1986 Beyond the Mainstream: A Salute to Philippine Independent Cinema
1987 Revolutions Happen Like Refrains in a Song
1990 Let This Film Serve as a Manifesto For a New Cinema
1990 The Philippines: A Legacy of Violence
1991 Ynang-Bayan: To Be a Woman Is to Live at a Time of War
1993 Isaak
1993 Memories of Old Manila
1997 Private Wars
1998 Mother Ignacia: Ang Uliran
2000 Pedrong Palad
2004 Edades: Victorio C. Edades and Modernism in Philippine Art
2012 Cine/Sine: Spanish Beginnings of Philippine Cinema
2012 Film: American Beginnings of Philippine Cinema
2014 #pinQCity
2017 Gunita: Mga Alaala sa Pinilakang Tabing
Story:
1983 Oliver
1984 Boatman
1985 The Sex Warriors and the Samurai
1986 Beyond the Mainstream: A Salute to Philippine Independent Cinema
1987 Revolutions Happen Like Refrains in a Song
1990 Let This Film Serve as a Manifesto For a New Cinema
1990 The Philippines: A Legacy of Violence
1991 Ynang-Bayan: To Be a Woman Is to Live at a Time of War
1993 Isaak
1993 Memories of Old Manila
1995 JUNKZILLA
1997 Private Wars
1998 Mother Ignacia: Ang Uliran
2000 Pedrong Palad
2004 Edades: Victorio C. Edades and Modernism in Philippine Art
2012 Cine/Sine: Spanish Beginnings of Philippine Cinema
2012 Film: American Beginnings of Philippine Cinema
2014 #pinQCity
2017 Gunita: Mga Alaala sa Pinilakang Tabing
Writer:
1983 Oliver
1984 Boatman
1985 The Sex Warriors and the Samurai
1986 Beyond the Mainstream: A Salute to Philippine Independent Cinema
1987 Revolutions Happen Like Refrains in a Song
1990 Let This Film Serve as a Manifesto For a New Cinema
1990 The Philippines: A Legacy of Violence
1991 Ynang-Bayan: To Be a Woman Is to Live at a Time of War
1993 Isaak
1993 Memories of Old Manila
1995 JUNKZILLA
1997 Private Wars
1998 Mother Ignacia: Ang Uliran
2000 Pedrong Palad
2004 Edades: Victorio C. Edades and Modernism in Philippine Art
2012 Cine/Sine: Spanish Beginnings of Philippine Cinema
2012 Film: American Beginnings of Philippine Cinema
2014 #pinQCity
2017 Gunita: Mga Alaala sa Pinilakang Tabing
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.