A work in constant progress (and occasional regress).
Alias:
Ray Ventura et ses Collégiens
Ray Ventura et son Orchestre
Raymond Ventura
l'Orchestre Ray Ventura
Birthplace:
Paris, France
Born:
April 16, 1908
Died:
March 29, 1979
Raymond Ventura (16 April 1908, Paris, France – 29 March 1979, Palma de Mallorca, Spain) was a French jazz pianist and bandleader. He helped popularize jazz in France in the 1930s. His nephew was singer Sacha Distel. Ventura was born to a Jewish family. In 1925 he was the pianist for the Collegiate Five, which recorded as the Collegians for Columbia beginning in 1928 and for Decca in the 1930s. A year later he led the band, and it became a dance orchestra resembling a big band. His sidemen included Alix Combelle, Philippe Brun, and Guy Paquinet. In the early 1940s he led a big band in South America and in France during the rest of the decade. One of his band's popular songs from 1936 was "Tout va très bien, Madame la Marquise" in which the Marquise is told by her servants that everything is fine at home except for a series of escalating calamities. It was seen as a metaphor for France's obliviousness to the approaching war. Source: Article "Ray Ventura" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Music:
1962 We Will Go to Deauville
Orchestrator:
1938 Beautiful Star
1938 Quadrille
1962 We Will Go to Deauville
Producer:
1938 Beautiful Star
1938 Quadrille
1949 Une femme par jour
1950 Le roi Pandore
1950 We Will All Go to Paris
1951 Monte Carlo Baby
1951 Without Leaving an Address
1952 Desperate Decision
1952 French Touch
1953 Les Compagnes de la nuit
1955 Le Crâneur
1955 Lovers' Net
1956 Forgive Our Trespasses
1956 Plucking the Daisy
1958 Love Is My Profession
1962 And Satan Calls the Turns
1962 We Will Go to Deauville
1963 L'assassin connaît la musique
1966 Our Men in Bagdad
1991 Night Fun
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.