Alile Sharon Larkin

Alile Sharon Larkin is an artist-educator and award-winning independent film and video maker. Larkin was a public school teacher in Los Angeles for over 25 years. She taught at 32nd Street/USC Visual and Performing Arts Magnet School from 1993-2013. Her teaching experience ranges from pre-K to college and filmmaking is part of Larkin’s interdisciplinary curriculum. She has received 10 Video in the Classroom Awards for teacher-produced films, documenting students learning about textile arts, storytelling, yoga, jazz, women’s history, Kwanzaa and African-American dance.  Her film, Your Children Come Back To You (1979), presents a child’s perspective on wealth and social inequality, and has screened throughout U.S. and Europe. A Different Image (1982), about an African-American woman contemplating self-identity, heritage and perception, received critical praise and earned her first prize from the Black American Cinema Society, won Best Production of 1981 from the Black Filmmaker Foundation, and was named runner-up for best short film at FILMEX. The screenplay of A Different Image was published in Screenplays of the African American Experience (Indiana University Press, 1991).  Larkin’s critical essay, “Black Women Filmmakers Defining Ourselves,” appears in Female Spectators (Verso Editions, London). Larkin was honored to write the prologue for Charles Burnett: A Troublesome Filmmaker (Play-Doc Books, 2016). Her essay is titled: “Who Will Protect and Respect, Inspire and Nurture This Black Woman Filmmaker (For Charles and All the Brothers).”  Larkin's production company Dreadlocks and the Three Bears Productions creates Afrocentric and global multimedia and arts experiences for children and families. Larkin recently resumed shooting Tie-Dye after 26 years, with a multigenerational crew including her son and granddaughter. Tie-dye features black children celebrating everyday life through global black music genres. The music is available on iTunes. Larkin hopes to complete the DVD for release in 2017.

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About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

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  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.