A work in constant progress (and occasional regress).
Alias:
Dieter Schwarz
Hans Schwarz
Hans-D. Schwarz
Sound:
1967 Das Geständnis eines Mädchens
1967 Treibgut der Großstadt
1971 The Long Swift Sword of Siegfried
1973 Love Times Three
1987 Sarah
Sound Designer:
1967 Das Geständnis eines Mädchens
1967 Treibgut der Großstadt
1968 Succubus
1971 The Long Swift Sword of Siegfried
1973 Love Times Three
1987 Sarah
Sound Mixer:
1967 Das Geständnis eines Mädchens
1967 Treibgut der Großstadt
1968 Succubus
1970 Deadlock
1971 The Long Swift Sword of Siegfried
1973 Love Times Three
1979 Milo-Milo
1979 Ticket of No Return
1980 The Price of Survival
1980 The Uprising
1981 Freak Orlando
1981 No Mercy, No Future
1982 Dabbel Trabbel
1982 Kamikaze 1989
1983 Kiez
1987 Sarah
1987 Schloß und Siegel
1988 A.D.A.M.
1988 Der Radfahrer von San Cristóbal
1988 The Microscope
1989 Spider's Web
1989 The Story Teller
1992 Never Sleep Again
Sound mixer:
1967 Das Geständnis eines Mädchens
1967 Treibgut der Großstadt
1968 Succubus
1970 Deadlock
1971 The Long Swift Sword of Siegfried
1973 Love Times Three
1979 Milo-Milo
1979 Ticket of No Return
1980 The Price of Survival
1980 The Uprising
1981 After Midnight
1981 Freak Orlando
1981 No Mercy, No Future
1982 Dabbel Trabbel
1982 Kamikaze 1989
1983 Kiez
1987 Sarah
1987 Schloß und Siegel
1988 A.D.A.M.
1988 Der Radfahrer von San Cristóbal
1988 The Microscope
1989 Spider's Web
1989 The Story Teller
1992 Never Sleep Again
Additional Camera:
2016 Austria from Above: Jewels of the Country
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.