A work in constant progress (and occasional regress).
Alias:
Bill Fraker
William Ashman Fraker
Birthplace:
Los Angeles, California, USA
Born:
September 29, 1923
Died:
May 31, 2010
William Ashman Fraker (September 29, 1923 – May 31, 2010) was an American cinematographer, film director and producer. He was nominated five times for the Academy Award for Best Cinematography. In 2000, he received a Lifetime Achievement Award from the American Society of Cinematographers (ASC) honoring his career. As cinematographer, his films include The President's Analyst (1967), Rosemary's Baby (1968), Bullitt (1968), Paint Your Wagon (1969), The Day of the Dolphin (1973), Coonskin (1975), Looking For Mr. Goodbar (1977), Exorcist II: The Heretic (1977), Heaven Can Wait (1978), 1941 (1979), WarGames (1983), Irreconcilable Differences (1984), Murphy's Romance (1985), Tombstone (1993), and Street Fighter (1994). He directed three theatrical films, Monte Walsh (1970), A Reflection of Fear (1971), and The Legend of the Lone Ranger (1981), as well as several television series. Description above from the Wikipedia article William A. Fraker, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Additional Director of Photography:
1976 Lipstick
Camera Operator:
1964 The Ghost of Sierra de Cobre
1976 Lipstick
Cinematography:
1964 The Ghost of Sierra de Cobre
1976 Lipstick
1982 Hey Good Lookin'
Director:
1964 The Ghost of Sierra de Cobre
1970 Monte Walsh
1973 A Reflection of Fear
1976 Lipstick
1981 The Legend of the Lone Ranger
1982 Hey Good Lookin'
Director of Photography:
1964 The Ghost of Sierra de Cobre
1966 Incubus
1967 Games
1967 The Fox
1967 The President's Analyst
1968 Bullitt
1968 Rosemary's Baby
1969 Paint Your Wagon
1970 Monte Walsh
1971 Dusty and Sweets McGee
1973 A Reflection of Fear
1973 Fade-In
1973 The Day of the Dolphin
1975 Aloha, Bobby and Rose
1975 Conversation with Fritz Lang
1975 Coonskin
1975 Rancho Deluxe
1976 Gator
1976 Lipstick
1976 The Killer Inside Me
1977 Exorcist II: The Heretic
1977 Looking for Mr. Goodbar
1978 American Hot Wax
1978 Heaven Can Wait
1979 1941
1979 Old Boyfriends
1980 Divine Madness
1980 The Hollywood Knights
1981 Sharky's Machine
1981 The Legend of the Lone Ranger
1982 Hey Good Lookin'
1982 The Best Little Whorehouse in Texas
1983 WarGames
1984 Irreconcilable Differences
1984 Protocol
1985 Fever Pitch
1985 Murphy's Romance
1986 SpaceCamp
1987 Baby Boom
1987 Burglar
1989 An Innocent Man
1989 Chances Are
1990 The Freshman
1992 Honeymoon in Vegas
1992 Memoirs of an Invisible Man
1993 Tombstone
1994 Street Fighter
1994 There Goes My Baby
1995 Death in Small Doses
1995 Father of the Bride Part II
1996 The Island of Dr. Moreau
1997 Vegas Vacation
2000 Rules of Engagement
2001 Town & Country
2002 Waking Up in Reno
Director:
1987 J.J. Starbuck
1987 Wiseguy
1989 B.L. Stryker
1989 Unsub
1990 The Flash
1993 Walker, Texas Ranger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.