A work in constant progress (and occasional regress).
Alias:
Saguenail
Saguenail Abramovici
Serge Abramovici
Birthplace:
Paris, France
Born:
May 7, 1955
Saguenail - Serge Abramovici (born May 7, 1955) After graduated with a degree in Modern Languages and Literature, he came to Portugal in 1975 to see the Revolution from the inside. Here he met Regina Guimarães, who would become his companion and accomplice, both in art and in life. He returned to Paris where he worked as a primary school teacher until he settled in Porto for good in 1980. With Regina Guimarães, he founded the production company Hélastre (which, however, would only come into legal existence in 1996). Here he began his cinematographic work in 1980. In 1984, he was part of the team that launched the film magazine 'A Grande Ilusão' (published by the Cineclube do Norte), where he developed a critical activity.
Director:
1969 Autrefois
1973 Revolver ou Cheveux Blancs
1980 Mudas Mudanças
1985 Mourir un peu
1989 Amour en latin
1996 Má Sina
1997 Europa Parte Nenhuma
2001 Antes de amanhã
2001 Dentro
2003 A Imitação
2005 Terra de Cegos
2006 A Bagagem
2006 Mau Dia
2007 Antónia
2011 Ateliers Ângelo
2011 Sem Cura - à saúde de Manoel de Oliveira
2013 Acentuado Arrefecimento Nocturno
2016 Decrescente
2019 History with no capital letter
2021 Cineclube
2022 Trabalhos de Canto
???? DISTINTAMENTE (arte e manha)
???? Nus Dans La Cage D`Escalier
Director of Photography:
1969 Autrefois
1973 Revolver ou Cheveux Blancs
1980 Mudas Mudanças
1985 Mourir un peu
1989 Amour en latin
1996 Má Sina
1997 Europa Parte Nenhuma
2001 Antes de amanhã
2001 Dentro
2003 A Imitação
2005 Meu Deus
2005 Terra de Cegos
2006 A Bagagem
2006 Mau Dia
2007 Antónia
2011 Ateliers Ângelo
2011 Sem Cura - à saúde de Manoel de Oliveira
2013 Acentuado Arrefecimento Nocturno
2016 Decrescente
2019 History with no capital letter
2021 Cineclube
2022 Trabalhos de Canto
???? Caderno da Cirurgia
???? DISTINTAMENTE (arte e manha)
???? Nus Dans La Cage D`Escalier
Editor:
1969 Autrefois
1973 Revolver ou Cheveux Blancs
1980 Mudas Mudanças
1985 Mourir un peu
1989 Amour en latin
1996 Má Sina
1997 Europa Parte Nenhuma
2001 Antes de amanhã
2001 Dentro
2003 A Imitação
2005 Meu Deus
2005 Terra de Cegos
2006 A Bagagem
2006 Mau Dia
2007 Antónia
2011 Ateliers Ângelo
2011 Sem Cura - à saúde de Manoel de Oliveira
2013 Acentuado Arrefecimento Nocturno
2016 Decrescente
2019 History with no capital letter
2021 Cineclube
2022 Trabalhos de Canto
???? A Última Fita
???? Caderno da Cirurgia
???? DISTINTAMENTE (arte e manha)
???? Nus Dans La Cage D`Escalier
???? Rua A B
???? Ursas Menores
Lighting Design:
1969 Autrefois
1973 Revolver ou Cheveux Blancs
1980 Mudas Mudanças
1985 Mourir un peu
1989 Amour en latin
1996 Má Sina
1997 Europa Parte Nenhuma
2001 Antes de amanhã
2001 Dentro
2003 A Imitação
2005 Meu Deus
2005 Terra de Cegos
2006 A Bagagem
2006 Mau Dia
2007 Antónia
2011 Ateliers Ângelo
2011 Sem Cura - à saúde de Manoel de Oliveira
2013 Acentuado Arrefecimento Nocturno
2016 Decrescente
2019 History with no capital letter
2021 Cineclube
2022 Trabalhos de Canto
???? A Última Fita
???? Caderno da Cirurgia
???? DISTINTAMENTE (arte e manha)
???? Nus Dans La Cage D`Escalier
???? Rua A B
???? Ursas Menores
Screenplay:
1969 Autrefois
1973 Revolver ou Cheveux Blancs
1980 Mudas Mudanças
1985 Mourir un peu
1989 Amour en latin
1996 Má Sina
1997 Europa Parte Nenhuma
2001 Antes de amanhã
2001 Dentro
2003 A Imitação
2005 Meu Deus
2005 Terra de Cegos
2006 A Bagagem
2006 Mau Dia
2007 Antónia
2011 Ateliers Ângelo
2011 Sem Cura - à saúde de Manoel de Oliveira
2013 Acentuado Arrefecimento Nocturno
2016 Decrescente
2019 History with no capital letter
2021 Cineclube
2022 Trabalhos de Canto
???? A Última Fita
???? Caderno da Cirurgia
???? DISTINTAMENTE (arte e manha)
???? Nus Dans La Cage D`Escalier
???? Rua A B
???? Ursas Menores
Sound:
1969 Autrefois
1973 Revolver ou Cheveux Blancs
1980 Mudas Mudanças
1985 Mourir un peu
1989 Amour en latin
1996 Má Sina
1997 Europa Parte Nenhuma
2001 Antes de amanhã
2001 Dentro
2003 A Imitação
2005 Meu Deus
2005 Terra de Cegos
2006 A Bagagem
2006 Mau Dia
2007 Antónia
2011 Ateliers Ângelo
2011 Sem Cura - à saúde de Manoel de Oliveira
2013 Acentuado Arrefecimento Nocturno
2016 Decrescente
2019 History with no capital letter
2021 Cineclube
2022 Trabalhos de Canto
???? A Última Fita
???? Caderno da Cirurgia
???? DISTINTAMENTE (arte e manha)
???? Nus Dans La Cage D`Escalier
???? Rua A B
???? Ursas Menores
Writer:
1969 Autrefois
1973 Revolver ou Cheveux Blancs
1980 Mudas Mudanças
1985 Mourir un peu
1989 Amour en latin
1996 Má Sina
1997 Europa Parte Nenhuma
2001 Antes de amanhã
2001 Dentro
2003 A Imitação
2005 Meu Deus
2005 Terra de Cegos
2006 A Bagagem
2006 Mau Dia
2007 Antónia
2011 Ateliers Ângelo
2011 Sem Cura - à saúde de Manoel de Oliveira
2012 A Menina Dos Olhos
2013 Acentuado Arrefecimento Nocturno
2016 Decrescente
2019 History with no capital letter
2021 Cineclube
2022 Trabalhos de Canto
???? A Última Fita
???? Caderno da Cirurgia
???? DISTINTAMENTE (arte e manha)
???? Nus Dans La Cage D`Escalier
???? Rua A B
???? Ursas Menores
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.