A work in constant progress (and occasional regress).
Birthplace:
Manaus, Amazonas, Brazil
Born:
October 9, 1947
Died:
February 14, 2023
Djalma Limongi Batista (1947-2023) was an amazonian filmmaker based in São Paulo, where he directed much of his filmography from the 1960's to the 1990's. He is considered to be the first brazilian director to ever depict gay intimacy in the short film "Um clássico, dois em casa, nenhum jogo fora" (1968). Batista also worked as a university teacher, where he made himself key to the education of many of Brazil's young filmmakers of today.
Director:
1968 Um Clássico, Dois em Casa, Nenhum Jogo Fora
1969 The Southern Contest Myth
1980 Asa Branca: A Brazilian Dream
1986 Brasa Adormecida
1997 Bocage, the Triumph of Love
Director of Photography:
1968 Um Clássico, Dois em Casa, Nenhum Jogo Fora
1969 The Southern Contest Myth
1980 Asa Branca: A Brazilian Dream
1986 Brasa Adormecida
1997 Bocage, the Triumph of Love
Editor:
1968 Retorna, Vencedor
1968 Um Clássico, Dois em Casa, Nenhum Jogo Fora
1969 The Southern Contest Myth
1980 Asa Branca: A Brazilian Dream
1986 Brasa Adormecida
1997 Bocage, the Triumph of Love
Producer:
1968 Retorna, Vencedor
1968 Um Clássico, Dois em Casa, Nenhum Jogo Fora
1969 The Southern Contest Myth
1980 Asa Branca: A Brazilian Dream
1986 Brasa Adormecida
1997 Bocage, the Triumph of Love
Screenplay:
1968 Retorna, Vencedor
1968 Um Clássico, Dois em Casa, Nenhum Jogo Fora
1969 The Southern Contest Myth
1980 Asa Branca: A Brazilian Dream
1986 Brasa Adormecida
1994 Savage Capitalism
1997 Bocage, the Triumph of Love
Writer:
1968 Retorna, Vencedor
1968 Um Clássico, Dois em Casa, Nenhum Jogo Fora
1969 The Southern Contest Myth
1980 Asa Branca: A Brazilian Dream
1986 Brasa Adormecida
1994 Savage Capitalism
1997 Bocage, the Triumph of Love
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.