Jorge Ben Jor (b. 1942)

Alias:
Jorge Ben
Jorge Benjor
Jorge Duilio Lima Menezes

Birthplace:
Rio de Janeiro, Brazil

Born:
March 22, 1942

Jorge Duílio Lima Menezes (born March 22, 1939) is a Brazilian popular musician, performing under the stage name Jorge Ben Jor since the 1980s, though commonly known by his former stage name Jorge Ben. His characteristic style fuses samba, funk, rock and bossa nova with lyrics that blend humor and satire with often esoteric subject matter. His hits include "Chove Chuva", "Mas, que Nada!", "Ive Brussel" and "Balança Pema", and have been interpreted by artists such as Caetano Veloso, Sérgio Mendes, Miriam Makeba, Soulfly and Marisa Monte. Ben's broad-minded and original approach to samba led him through participation in some of Brazilian popular music's most important musical movements, such as bossa nova, Jovem Guarda, and Tropicália, with the latter period defined by his albums Jorge Ben (1969) and Fôrça Bruta (1970). He has been called "the father of samba rock", by Billboard magazine. According to American music critic Robert Christgau, Ben and his contemporary Gilberto Gil were "always ready to go further out on a beat than the other samba/bossa geniuses".  Born Jorge Duílio Lima Menezes in Rio de Janeiro, he first took the stage name Jorge Ben after his mother's name (Sílvia Saint Ben Lima, Brazilian-born of Ethiopian origin) but in the 1980s changed it to Jorge Ben Jor (commonly written Benjor).  Jorge Ben obtained his first pandeiro (Brazil's most popular type of tambourine) when he was thirteen, and two years later, was singing in a church choir. He also took part as a pandeiro player in the blocos of Carnaval, and from eighteen years of age, he began performing at parties and nightclubs with the guitar given to him by his mother. He was given the nickname "Babulina" after his enthusiastic pronunciation of rockabilly singer Ronnie Self's song "Bop-A-Lena". Was introduced to Tim Maia by Erasmo Carlos. It was in 1963 at one of those clubs in which he performed that Jorge's musical career took off; he came on stage and sang "Mas, que Nada!" to a small crowd that happened to include an executive from the recording company, Philips. One week later, Jorge Ben's first single was released.  The hybrid rhythms that Jorge employed brought him some problems at the start of his career, when Brazilian music was split between the rockier sounds of the Jovem Guarda and traditional samba with its complex lyrics. However, as that phase in Brazilian pop music history passed and bossa nova became better known throughout the world, Ben rose to prominence.  Holdings both television programs O Fino da Bossa and Jovem Guarda from Rede Record, after being reprimanded by the production of "O Fino da Bossa", chose to participate in the Jovem Guarda, soon after, joined the program Divino, Maravilhoso from TV Tupi, presented by Caetano Veloso and Gilberto Gil. ...  Source: Article "Jorge Ben" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Additional information:

The Search Form


Music:
1994  Rio's Love Song
2007  Person

Original Music Composer:
1976  Xica
1979  Na Boca do Mundo
1994  Rio's Love Song
2007  Person

Songs:
1973  As Moças Daquela Hora
1976  Xica
1979  Na Boca do Mundo
1994  Rio's Love Song
2007  Person

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.