Home

Cooper Harris

Biography from TheMovieDB

Hailing from down South, Cooper Harris grew up wanting to be a spy. Or a chemist. Instead, she graduated with a BFA in acting from the North Carolina School of the Arts.  After originating a role in New York at the Off-Broadway Cherry Lane theatre, Cooper booked a feature in LA and moved west. She didn't look back, working in numerous national print and commercial campaigns, feature films, stints on several daytime TV shows, and series regular roles in two pilots. In her free time, she produced award-winning digital content for companies such as Post-It Notes, Kimberly Clark, DailyMotion. The entrepreneurial bug stuck, and now, in addition to acting full-time, Cooper is the CEO and founder of a Santa Monica-based tech startup.  Though Ms. Harris is technically a left-coaster, she finds herself splitting her time equally, working in both LA and New York and whenever possible, in her home state of North Carolina.  Cooper is on the Board of the non-profit organization Hidden Voices. She is passionate about traveling, technology, and surprising her incredible family in various (mostly pleasant) ways. In addition to her acting career, Cooper is an accomplished violinist and fiddler. As a visual artist, her award-winning paintings have hung in the White House. She is currently illustrating her second children's book.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Film Performances

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.